From the monthly archives: February 2014

THE CORPUS: BODIES ON FILM/BODIES OF FILM

LE CORPUS: LES CORPS DANS LE CINÉMA/ CORPUS D’OEUVRES FILMIQUES

16th Annual FSAC Graduate Student Colloquium /16e Colloque annuel de l’ACÉC pour les étudiants des cycles supérieurs

Cinema Studies Institute, University of Toronto
February 28 – March 2, 2014

Click here to download the program - Cliquez sur ici pour le programme

 

The first Dalhousie-Université de Paris 3 Summer Institute in Film Studies will bring together Haligonian and Parisian researchers for three days of seminars and four evenings of screenings, which will be followed by a mini-conference for graduate students. Our topic will be “Global/Local Film.” Each day will feature one seminar in English and one in French, along with a mid-day screening session connected to those seminars’ topics. We will also feature free public screenings of The Artist (Michael Hazanavicus, France, 2011), Nostalgia de la luz (Patricio Guzmán, France/Chile, 2011), and Arctic Defenders (John Walker, Canada, 2013, with John Walker in attendance), along with a programme of political documentaries curated by Halifax-based filmmaker Sylvia Hamilton. 

Interested graduate students should apply with a preliminary abstract of a paper that they will work on during the Summer Institute. Seminars will be held on 8-10 July. On 11 July, the Halifax- based core faculty members will hold office hours, and graduate students will have access to workspace at Dalhousie’s Interdisciplinary Studies house. The Summer Institute will conclude with a daylong mini-conference on 14 July where students will present their papers in a workshop environment.

There will be three $1000 bursaries plus a registration fee waiver available for graduate students coming from outside of Halifax (this will be paid as an expense-style reimbursement after the Institute is over). Those interested in being considered for the bursaries should include a CV as well as an abstract with their application. They should apply (without the registration fee) no later than 1 April 2014. Those who apply for a bursary but are not selected will be able to register with the early fee as late as the first day of the Institute.

Core faculty: Shannon Brownlee (Dalhousie), Laurent Creton (Paris 3), Raphaëlle Moine (Paris 3), Emmanuel Siety (Paris 3), Jennifer VanderBurgh (Saint Mary’s), Jerry White (Dalhousie)

Contact: Jerry White, Dalhousie University – Jerry.White@dal.ca

 

Le tout premier Institut d’été Dalhousie-Université de Paris 3 consacré aux études cinématographiques réunira des chercheurs haligoniens et parisiens pendant trois journées de séminaires ponctuées de quatre soirées de projections, lesquelles seront suivies par une mini-conférence pour étudiants des cycles supérieurs. Le thème retenu pour cet événement est : « Global/Local Film – Le cinéma entre le global et le mondial ». En point d’orgue de chaque journée, un séminaire en français et un autre en anglais, ainsi qu’une séance de projection à la mi-journée en lien avec les problématiques abordées lors de ces séminaires. Seront également présentées trois projections publiques gratuites à savoir : The Artist de Michael Hazanavicus (France, 2011), Nostalgia de la luz de Patricio Guzmán, (France- Chili, 2011), Arctic Defenders de John Walker (Canada 2013, en présence du réalisateur), ainsi qu’un programme de documentaires politiques rédigé par Sylvie Hamilton, cinéaste basée à Halifax. 

Les étudiants des cycles supérieurs intéressés sont priés de joindre à leurs dossiers de demande un exemplaire du résumé préliminaire de la communication qu’ils présenteront lors de l’Institut d’été. Les séminaires auront lieu du 8 au 10 juillet 2014. Le 11 juillet, les membres du corps professoral d’Halifax offriront à leurs bureaux des heures de disponibilité, selon un horaire qui sera communiqué aux étudiants participants en temps utile ; ces derniers auront accès à un espace de travail au Centre d’études interdisciplinaires de Dalhousie University. Les travaux de l’Institut d’été s’achèveront par une mini-conférence d’une journée – le 14 juillet – au cours de laquelle les étudiants seront invités à présenter leurs communications dans un environnement d’atelier.

Trois bourses d’un montant de 1000 $ seront octroyées, en plus d’une exemption de paiement des frais d’inscription, exclusivement pour les étudiants des cycles supérieurs venant d’autres villes qu’Halifax. Ces paiements qui se feront sous forme de remboursements au titre des frais engagés ne débuteront pas avant la fin de l’Institut d’été. Les candidats qui souhaitent être considérés pour ces bourses doivent manifester leur intérêt au moment  la soumission de leur demande, qui devra être accompagnée d’un CV et d’un résumé de leur communication. Ces étudiantes devront transmettre leur demande (sans frais d’inscription) au plus tard le 1er avril 2014. Toutefois, les candidats aux bourses qui ne seront pas sélectionnés pourront toujours s’inscrire et bénéficier d’un tarif réduit (inscription à l’avance), à condition que ces personnes s’acquittent des frais exigibles au plus tard le premier jour de l’Institut d’été.

Corps professoral:  Shannon Brownlee (Dalhousie), Laurent Creton (Paris 3), Raphaëlle Moine (Paris 3), Emmanuel Siety (Paris 3), Jennifer VanderBurgh (Saint Mary’s), Jerry White (Dalhousie)

Contact: Jerry White, Dalhousie University – Jerry.White@dal.ca

 

Lecturer in Film Studies

The University of British Columbia is accepting applications for one fulltime (100%) renewable 12 month lecturer position (1 year contract) in Film Studies, in the Department of Theatre and Film, commencing July 1 2014.

The successful applicant is expected to teach 21 credits of on-campus undergraduate courses in Film Studies, and fulfill 3 credits of either graduate teaching or curriculum development activity within the Film Studies program.

The post will include responsibility for the design, development and production of teaching, learning and assessment materials and the delivery of seminars, lectures, workshops, tutorials, as well as mentorship (of students and Teaching Assistants) across a range of courses including but not limited to Introduction to Film Studies, Introduction to Canadian Cinema, Asian Cinema, Studies in Film Theory, and specialist seminar topics. The position may also include teaching a course in the Master’s in Film Studies program. The successful applicant will be expected to make a contribution to the Film Studies program’s efforts to initiate and maintain high-enrollment online courses, the development and implementation of curriculum changes and innovative pedagogical practices across the department, and participate in the program’s extracurricular teaching-related initiatives (including the Graduate Journal Cinephile, the Centre for Cinema Studies, undergraduate and graduate research awards, student recruitment, and outreach work). Consideration for reappointment will be based on demonstrated excellence in teaching and service, and availability of funding. 

The successful applicant must have a PhD in Film Studies or a cognate discipline. She or he will possess sufficient breadth or depth of specialist and core knowledge in the discipline, demonstrated by considerable experience in developing and delivering university courses, and evidence of the use of a range of pedagogical learning tools and delivery techniques to engage students. The successful applicant will have evidence of excellent teaching such as student evaluations and peer reviews, and will have made an impact on the discipline beyond their own teaching. The applicant will be expected to work flexibly and on their own initiative and will need to be able to demonstrate the ability to teach across a wide range of courses within our program.

Salary will be commensurate with qualifications and experience. This position is subject to final budgetary approval.

How to apply:

Applicants should send a letter of application, including a brief statement about pedagogical perspectives on the teaching of Film Studies, an updated CV, evidence of teaching ability and effectiveness (course outlines, student evaluations), the names and contact information of three references, and arrange to have three confidential reference letters sent to:

Search Committee for Film Studies
Department of Theatre and Film
6354 Crescent Road
Vancouver, BC
Canada V6T-1Z1.

The deadline for completed applications is: March 31st, 2014.  Shortlisted candidates will be invited for an interview in the four weeks following the application deadline.

UBC hires on the basis of merit and is committed to employment equity and diversity within its community.  We especially welcome applications from visible minority group members, women, Aboriginal persons, persons with disabilities, persons of any sexual orientation and gender identities, and others with the skills and knowledge to productively engage with diverse communities.  We encourage all qualified persons to apply; however, Canadians and permanent residents of Canada will be given priority.

Information about the Film Studies program and the Centre for Cinema Studies can be found at: http://www.film.ubc.ca/film_studies/ and www.centreforcinemastudies.com