CANADIAN JOURNAL OF FILM STUDIES /
REVUE CANADIENNE D'ÉTUDES CINÉMATOGRAPHIQUES
Back Issues
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For a complete author/title index of volumes I-XIV, No. 1 please click here
Volume 1 No. 1, 1990
Articles
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Ron Burnett, The Martin Walsh Memorial Lecture 1988: These Images Which Rain Down Into the Imaginary
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Catherine Russell ,The Life and Death of Authorship in Wim Wenders' The State of Things
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William C. Wees, From the Rearview Mirror to Twenty Minutes Into the Future: The Video Image in Videodrome and Max Headroom
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Evan William Cameron, Kant's Station; The Lumières' Train: Seeing Things By Means of Film
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André Gaudrault , Filmographic Analysis and Early Cinema
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Scott Forsyth ,The Failures of Nationalism and Documentary: Grierson and Gouzenko
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Sources and Documents: John Grierson: Relations with the United States Film Industry, 31 October 1944
Book Reviews
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André Gaudrault: Du littéraire au filmique, systeme du récit (1988), by Jean-Claude Jaubert
Volume 1 No. 2, 1991
Articles
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R. Bruce Elder, Antonioni's Tragic Vision
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Michael Dorland, The War Machine: American Culture, Canadian Cultural Sovereignty & Film Policy
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Bart Testa, Review Essay: Out of Theory
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Robert McMillan, Ethnology and the NFB: The Laura Boulton Mysteries
Book Review
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Brenda Longfellow, Gaylyn Studlar: In The Realm of Pleasure: Von Sternberg, Dietrich and the Masochistic Aesthetic (1988)
Volume 2 No. 1, 1992
Articles
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Thomas Waugh, Strength and Stealth: Watching (and Wanting) Turn-of-the-Century Strongmen
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Donato Totaro, Time and the Film Aesthetics of Andrei Tarkovsky
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Zuzana M. Pick , Spectacles of Daily Life: Up To a Point (Cuba 1983, Tomás Gutierrez Alea)
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Gaile McGregor, Grounding the Countertext: David Cronenberg and the Ethnospecificity of Horror
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Blaine Allan, Handmade, or David Rimmer's Divine Mannequin
Review Essay
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Brian McIlroy, Books on British Cinema
Volume 2 Nos. 2-3, 1993 - Cinema and Nation (Peter Harcourt, Guest Editor)
Articles
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Peter Harcourt , Canada : An Unfinished Text?
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Christine Ramsay, Canadian Cinema from the Margins: "The Nation" and Masculinity in Goin' Down the Road
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Bill Marshall , Gender, Narrative and National Cinema in Les Filles de Caleb
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Blaine Allan , Canada 's Sweethearts, or Our American Cousins
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Joan Nicks , sex, lies and landscape: meditations on vertical tableaux in The Far Shore and J.A. Martin, photographe
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Mike Gasher , Decolonizing the Imagination: Cultural Expressions as Vehicle of Self-Discovery
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Paul Salmon, Revising the Traditions: Hanif Kureishi and Contemporary British Cinema
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Angela Stukator , Critical Categories and the (Il)logic of Identity
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Karen Wall , "Déjà vu/jamais vu" -- The Adjuster and the Hunt for the Image
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Thomas Waugh, Cultivated Colonies: Notes on Queer Nationhood and the Erotic Image
Book Reviews
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Gerald Pratley, Martha Braun: Picturing Time: The Work of Etienne-Jules Marey (1830-1904); and Pare Lorentz: FDR's Moviemaker: Memoirs and Scripts (1992)
Index Vol. 1 and Vol. 2
Volume 3 No. 1, Spring/Printemps 1994
Articles
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Charles Acland, National Dreams, International Encounters: The Formation of Canadian Film Culture in the 1930s
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Peter Morris , In Our Own Eyes: The Canonizing of Canadian Film
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Rod S. Heimpel , Hitchock's Psycho in Stephen Frear's The Grifters
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André Loiselle , Novel, Play, Film: The Three Endings of Gordon Pinsent's John and the Missus
Book Reviews
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Michael Zryd; Bill Nichols: Representing Reality: Issues and Concepts in Documentary (1991), and Michael Renov, ed.: Theorizing Documentary (1993)
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Bart Testa and Michele Magny, Douglas Bowie and Tom Shoebridge, eds.: Best Canadian Screenplays, and Atom Egoyan: Speaking Parts, with an introduction by Ron Burnett (1993)
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De l'histoire du cinéma (1992), by Yves Laberge
Volume 3 No. 2, Fall/automne 1994
Articles
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Christopher Faulkner, Affective Identities: French National Cinema and the 1930s
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Catherine Russell , Mourning the Woman's Film: The Dislocated Spectator of The Company of Strangers
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William Beard , Unforgiven and the Uncertainties of the Heroic
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Janice Kaye , Perfectly Normal, Eh?: Gender Transformation and National Identity in Canada
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Robert Fothergill; Ciné-Documents: The Distribution Centre: A Founding Memoir
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Bart Testa, Movies by Clyde Gilmour: The Underground is Here, from Telegram (Toronto) June 16, 1967;
The Two Religions of Avant-Garde Film, or Maybe Three (From Notes Made in Boulder, Colorado, June 1992)
Book Reviews
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Mike Gasher; Ted Magder, Canada 's Hollywood : The Canadian State and Feature Films (1993)
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Joan Nicks, Peter Steven: Brink of Reality: New Canadian Documentary Film and Video (1993)
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Gary Peters, Barbara Creed,The Monstrous-Feminine: Film, Feminism and Psychoanalysis (1993)
Volume 4 no. 1, Spring/printemps 1995
Articles
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Christine Ramsay, Social Surfaces and Psychic Depths in David Wellington's I Love a Man in Uniform
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Gayle Irwin , Luis Bunuel's Postmodern Explicador: Film, Story and Narrative Space
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Ollivier Dyens, La Phénoménologie du cyborg: cinéma, cyberspace et entropie
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Pierre Véronneau , Aspects temporels d'une muséologie du cinéma
Book Review
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Peter Morris: Cronenberg, A Delicate Balance (1994), by William Beard
Volume 4, No. 2, Fall/automne 1995
Articles
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Serge Cardinal, Le Lieu du son, l'espace de la source. Autour d'Une Femme douce (France, Robert Bresson, 1969).
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Robert McMillan, Review Essay: Recent Sternberg Studies, and the Contributions of Peter Baxter.
Special Book Reviews Section, edited by Bart Testa
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Bruce Elder, Eisenstein, My Contemporary
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Donato Totaro. Vida T. Johnson and Graham Petrie, The Films of Andrei Tarkovsky: A Visual Fugue.
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Graham Petrie. Andrei Tarkovsky, Time Within Time: The Diaries 1970-1986.
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Paul Kapsos. Denise Youngblood, Movies for the Masses: Popular Cinema and Soviet Society in the 1920's.
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Bart Testa. Bohdan Y. Nebesio, editor, The Cinema of Alexander Dovzhenko and Alexander Dovzhenko: A Guide to Published Sources.
Index to Volumes I to IV
Volume 5, No. 1, Spring/printemps 1996
Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles
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Seth Feldman What Was Cinema? -- The Martin Walsh Memorial Lecture (1996)
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Bernard Perron Alain Cavalier : visage de style
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Denis Fortin Les références cinéphiliques chez Woody Allen: construire une oeuvre sur la base de l'intertextualité
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Serafima Roll Fragmentation and Ideology in Kira Muratova's The Asthenic Syndrome and Arto Paragamian's Because Why
Book Reviews/Comptes Rendus de lecture
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Sheila Petty. Nwachukwu Frank Ukadike, Black African Cinema
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Leland Poague. Mario Falsetto, Stanley Kubrick: A Narrative and Stylistic Analysis
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Catherine Russell. Scott, Bukatman, Terminal Identity: The Virtual Subject in Postmodern Science Fiction
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Jim Leach. Catherine Russell, Narrative Mortality: Death, Closure, and New Wave Cinemas
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Nadine Sivak. Carole Zucker, Figures of Light: Actors and Directors Illuminate the Art of Film Acting
Volume 5, No. 2, Fall/automne 1996
Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles
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Brenda Longfellow, Globalization and National Identity in Canadian Film
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André Loiselle, Cinema, Theatre and Red Gushing Blood in Jean Beaudin's Being at Home With Claude
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Jean Bruce, Querying or 'Queering' the Nation: The Lesbian Postmodern and Canadian Women's Cinema
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Angela Stukator, Hags, Nags, Witches and Crones: Reframing Age in The Company of Strangers
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Scott Mackenzie, Société nouvelle: The Challenge for Change in the Alternative Public Sphere
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Dave Douglas, Exile on Hastings & Main Street: The Vancouver Films of Larry Kent
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Christopher Gittings, Alterity and Nation: Screening Race, Sex, Gender and Ethnicity in Back to God's Country
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André Gaudreault and Germain Lacasse, translated by Madeleine Beaudry, The Introduction of the Lumière Cinematograph in Canada
Ciné Documents
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J. Booth Scott, November 1966, with an Afterword by Blaine Allan
Book Reviews/Comptes Rendus de lecture
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Lianne McLarty, Janine Marchessault, ed., Mirror Machine: Video and Identity
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Gene Walz, Gilles Hebert, ed., Dislocations
Volume 6, No. 1, Spring/printemps 1997
Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles
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Laurence Alfonsi: La réception de François Truffaut aux Etats-Unis: Les conditions de sa popularité
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Janina Falkowska: American and European Voices in the Films of European Filmmakers Wim Wenders, Percy Adlon and Aki Kaurismäki
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Jennifer Henderson, Hose Stalking: Heavenly Creatures as Feminist Horror
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Joanne Hershfield: Women's Pictures: Identity and Representation in Recent Mexican Cinema.
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Maaret Koskinen, "Everything Represents, Nothing Is": Some Relations Between Ingmar Bergman's Films and Theatre Productions
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Priscilla L. Walton, A Slippage of Masks: Dis-Guising Catwoman in Batman Returns
Book Reviews
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Chris Cooling, Michel Chion, David Lynch; Richard K. Ferncase, Outsider Features: American Independent Films of the 1980's; Jim Hiller, The New Hollywood ; and John Pierson, Spike, Mike, Slackers and Dykes: A Guided Tour Across a Decade of American Independent Cinema
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Janice Kaye, Barry Keith Grant, Voyages of Discovery: The Cinema of Frederick Wiseman
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Jeannette Sloniowski, Lesley Stern, The Scorses Connection
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Greg Taylor, James Peterson, Dreams of Chaos, Visions of Order: Understanding the American Avant-Garde Cinema
Volume 6, No. 2, Fall/automne 1997
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Articles
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Janet Staiger The Romances of the Blonde Venus: Movie Censors Versus Movie Fans
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Paul Coates Protecting the Exotic: Atom Egoyan and Fantasy
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R.J.A. Kilbourn Toward a Non-Euclidean Cinema: Kieslowski and Literature
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Marek Haltof and Donald Smith An Aborted Revolution, A Stillborn Generation: Generational Politics and Gender Relations in Pé ter Gothár's Time Stands Still
Ciné Documents
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Scott MacKenzie The Missing Mythology: Barthes in Québec
Book Reviews
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Janina Falkowska Christopher Garbowski, Krzysztof Kieslowski's Decalogue Series: The Problem of the Protagonists and Their Self-Transcendence
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Bart Kalnay Andre Bazin, Bazin at Work: Major Essays and Reviews from the Forties and Fifties
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Paula Willoquet-Maricondi Alan Woods, Being Naked Playing Dead: The Art of Peter Greenaway
Index: Volumes 1 through 6
Volume 7, No. 1, Spring/printemps 1998
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Articles
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Catherine Russell, Dystopian Ethnography: Peter Kubelka's Unsere Afrikareise Revisited
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Marjorie D. Kibby, Nostalgia for the Masculine: Onward to the Past in the Sports Films of the Eighties
Ciné Documents
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Germain Lacasse, Les films "perdus" de la guerre oubliée
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Michael Dancsok, An Introduction to Notes and Proposals by Arthur Lipsett
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Arthur Lipsett, Notes and Proposals
Review-Essay
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Edoardo Moretti, The Film Spectator: From Sign to Mind
Book Reviews
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Paul Matthew St. Pierre, Women Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity
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Lucia Bozzola, By Angels Driven: The Films of Derek Jarman and Derek Jarman: Dreams of England
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Bart Testa, Film Genre Reader II
Volume 7, No. 2, Fall/automne 1998
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Articles
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Melanie Nash, "Where Are You Going To, My Pretty Maid?": Norma Shearer and the Cultural Uses of a "Canadian" Star
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Jeannette Sloniowski, Las Hurdes and the Political Efficacy of the Grotesque
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Erin Manning, The Haunted Home: Colour Spectrums in Robert Lepage's Le Confessional
Book Reviews
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Vanessa T. Higgs, Hard to Imagine: Gay Male Eroticism in Photography and Film from Their Beginnings to Stonewall
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Malcolm Turvey, A Body of Vision: Representations of the Body in Recent Film and Poetry
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William C. Wees, Inside the Pleasure Dome: Fringe Film in Canada
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Catherine Russell, Bart Testa and Carole Zucker, The British Film Institute Film Classics and Modern Film Classics Series
FSAC/ACEC Membership Directory
Volume 8, No. 1 - Special Issue on Cinemas, Nations, Masculinities, Spring/printemps 1999
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Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles
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Angela Stukator, Introduction
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Thomas Waugh, Cinemas, Nations, Masculinities (The Martin Walsh Memorial Lecture, 1998)
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Brenda Longfellow, Hyperbolic Masculinity and the Ironic Gaze in Project Grizzly
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Christine Ramsay, Dead Queers: One Legacy of the Trope of "Mind Over Matter" in the Films of David Cronenberg
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Lee Parpart, Pit(iful) Male Bodies: Colonial Masculinity, Class and Folk Innocence in Margaret's Museum
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Jane M. Gaines, Lonely Boy and the Vérité of Sex
Book Review
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Bart Beaty, Masked Men: Masculinity and the Movies of the Fifties
Volume 8, No. 2, Fall/automne 1999
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Article titles are linked to abstracts.
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Articles
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Patrice Petro, Film Feminism and Nostalgia for the Seventies (The Martin Walsh Memorial Lecture 1999)
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André Loiselle, Despair as Empowerment: Melodrama and Counter-Cinema in Anne Claire Poirier's Mourir à tue-tête
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Bruce Williams, Deformity at the Threshold of the Visible in Bemberg's I Don't Want to Talk About It
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Darell Varga, Desire in Bondage: Guy Maddin's Careful
Review-Essay
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R. Bruce Elder, Lovers of Cinema: The First American Film Avant-Garde 1919-1945
Book Reviews
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Jeanne Deslandes So Close to the State/s: The Emergence of Canadian Feature Film Policy
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P. Adams Sitney The Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson
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Shelley Stamp Gendering the Nation: Canadian Women's Cinema
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Susan Lord Chick Flicks: Theories and Memories of the Feminist Film Movement; Feminism and Documentary; Feminism and Film; Feminist Film Theory: A Reader; Passionate Detachments: An Introduction to Feminist Film Theory
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François Primeau The Scorsese Connection
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Robert Craig Gilles Deleuze's Time Machine
Index: Volumes 1 through 8
Volume 9, No. 1 - Special Issue on Individuals and Institutions, Spring/printemps 2000
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Article titles are linked to abstracts.
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Articles
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William C. Wees, Introduction
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Haidee Wasson, "Some Kind of Racket": The Museum of Modern Art's Film Library, Hollywood and the Problem of Film Art, 1935
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Blaine Allan, A National "As Distinct from Departmental" Film Board, and the Case of Heritage
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Zoë Druick, Documenting Government: Re-examining the 1950s National Film Board Films About Citizenship
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Paul Tiessen, Film, Culture Criticism and Institutional Form, 1936-1956: The Work of Vernon van Sickle
Ciné Documents
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William C. Wees, "Let's Set the Record Straight": The International Experimental Film Congress, Toronto 1989
Review-Essay
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Scott MacDonald, Experimental Ethnology: The Work of Film in the Age of Video
Book Reviews
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Pierre Véroneau, Claude Jutra Filmmaker
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Mette Hjort, Passionate Views: Film, Cognition and Emotion
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Scott MacKenzie, English Hitchcock
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Laura U. Marks, The Emperor's Naked Army Marches On
Volume 9, No. 2, Fall/automne 2000
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Article titles are linked to abstracts.
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Articles
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Zuzana Pick, A Romance With Mexico: The Epic Spectacle of the Revolution (The Martin Walsh Memorial Lecture, 2000)
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Scott MacKenzie, Lists and Chain Letters: Ethnic Cleansing, Holocaust Allegories and the Limits of Representation
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Russell Kilbourn, Re-Writing "Reality": Reading The Matrix
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Aaron Taylor, Rough Beasts Slouch Toward Bethlehem To Be Born: Eraserhead and the Grotesque Infant (Whose Hour Has Come Round At Last)
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Lucie Roy, Le Cycle des Lumière, d’une image-temps à une image-souvenir
Book Reviews / Comptes rendus
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Blaine Allan, The Films of Joyce Wieland
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Peter Ohlin, Ingmar Bergman: Magician and Prophet
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Gene Walz, Truffaut: A Biography
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Graham Petrie, Lucid Dreams: The Films of Krzysztof Kieslowski
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Jerry White, The Material Ghost: Films and the Medium and Practical Film Criticism: An Enlightened Approach to Moviegoing, Volume 1
Volume 10, No. 1, Spring/printemps 2001
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Articles
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Charles R. Acland, Patterns of Cultural Authority: The National Film Society of Canada and the Institutionalization of Film Education, 1938-1941
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Kristian Moen, The Polyphonic Prairies: The Creation and Re-Creation of Drylanders
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Margot Francis, "The Inexplicable Presence of the Thing[s] Not Named": Dirty Laundry, the Railway and the Construction of Nation
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William C. Wees, Carrying On: Leslie Thornton, Su Friedrich, Abigail Child and American Avant-Garde Film of the Eighties
Ciné-Document
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Keewatin A. Dewdney, Discontinuous Films
Book Reviews / Comptes rendus
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Donato Totaro, The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
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Charles Tepperman, American Movie Audiences: From the Turn of the Century To the Early Sound Era
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Diane Cantin, Le Corps au cinéma: Keaton, Bresson, Cassavettes
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Kay Armatage, Screen Style: Fashion and Femininity in 1930s Hollywood
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E.J. Bell, The Danish Directors: Dialogues on a Contemporary National Cinema
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Charles O'Brien, The Cinema of Jean Cocteau: Essays on his Films and their Coctelian Sources
Film Studies Association of Canada / Association canadienne des études cinématographiques: The First Twenty-Five Years
FSAC/ACEC Membership Directory
Guidelines for Contributors
Volume 10, No. 2 - Special Issue "Of Canadian Cinema And Canadarms: New Materialities", Fall/automne 2001
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Articles
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Brenda Longfellow and Thomas Waugh (Guest Editors), Introduction
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Brenda Longfellow, The Red Violin, Commodity Fetishism and Globalization
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Janine Marchessault, Sympathetic Understanding in Tu a crié Let Me Go
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John McCullough, The Exile of Professionals: John Glenn, Planet of the Apes and 2001: A Space Odyssey
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David McIntosh, Vanishing Point: Proliferations, Purifications and the Convergence of Canadian and Mexican National Cinemas
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Darrell Varga, Panic Bodies and the Performance of Space
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Thomas Waugh, Fairy Tales of Two Cities, or Queer Nation(s)/Urban Cinema(s)
Book Review / Compte rendu
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Germain Lacasse , Quebec National Cinema
Index to Volumes 1 through 10
Volume 11, No. 1, Spring/printemps 2002
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Articles
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Lynda Jessup, Moving Pictures and Costume Songs at the 1927 "Exhibition of Canadian West Coast Art, Native and Modern"
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Jamie Sexton, Grierson's Machines: Drifters, the Documentary Film Movement and the Negotiation of Modernity
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Scott Lee, Fargo : Struggle for the Vehicle
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Jerry White, Children, Narrative and Third Cinema in Iran and Syria
Book Reviews / Comptes rendu
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Germain Lacasse , Quebec National Cinema
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Casey A. Jarrin, Shooting to Kill: Filmmaking and the "Troubles" in Northern Ireland
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Phillipe Mather, Personal Visions: Conversations with Contemporary Film Directors
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Joan Nicks, A Scream from Silence/Mourir à tue-tête
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Murat Akser, The Fright of Real Tears: Krzysztof Kieslowski Between Theory and Post-Theory
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Robert Cagle, The Fruit Machine: Twenty Years of Writings on Queer Cinema
Volume 11, No. 2, Fall/automne 2002
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Articles
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Jim Leach, The Reel Nation: Image and Reality in Contemporary Canadian Cinema (Martin Walsh Memorial Lecture 2002)
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Peter Dickinson, Critically Queenie: The Lessons of Fortune and Men's Eyes
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Ruth Perlmutter, Multiple Strands and Possible Worlds
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Batia Boe Stolar, The "Canadian Popular": Atom Egoyan, Michael Ondaatje, and Canadian Popular Culture
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James Macgillivray, Andrei Tarkovsky's Madonna del Parto
Book Reviews / Comptes rendus
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Angela Stukator, Guide to the Cinema(s) of Canada, Take One's Essential Guide to Canadian Film, Weird Sex & Snowshoes and Other Canadian Film Phenomena
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Jerry White, Split Screen: Belgian Cinema and Cultural Identity
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Michael Zryd, Documenting the Documentary: Close Readings of Documentary Film and Video and Introduction to Documentary
Volume 12 No. 1, Spring/printemps 2003
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Articles
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Peter Clandfield, Bridgespotting: Lepage, Hitchcock, and Landmarks in Canadian Film
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Roger Hallas, The Genealogical Pedagogy of John Greyson's Zero Patience
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Adam Dickinson, The Rhythm of Happening: Antagonism and Community in Brenda Longfellow's Our Marilyn and A Balkan Journey
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Mark Browning, "Thou, The Player of the Game, Art God": Nabokovian Game-playing in Cronenberg's eXistenZ
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Avi Santo, Film Chronicles in Montréal's La Presse, 1906-1908
Ciné-Forum
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Scott MacKenzie, Soviet Expansionism: Fédor Ozep's Transnational Cinema
Book Reviews / Comptes rendus
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Jim Leach, A Postmodern Cinema: The Voice of the Other in Canadian Film and Canadian National Cinema
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Melanie Nash, Melodrama and Modernity: Early Sensational Cinema and its Contexts
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Brian Crane, Overhearing Film Dialogue
Volume 12 No. 2 - Revisions: A Special Issue in Honour of Peter Morris (Blaine Allan, Guest Editor), Fall/automne 2004
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Articles
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Blaine Allan, Revisions: A Special Issue in Honour of Peter Morris
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Peter Steven, Pleasing the Canadians: A National Flavour for Early Cinema, 1892-1914
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Paul S. Moore, Nathan L. Nathanson Introduces Canadian Odeon: Producing National Competition in Film Exhibition
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Zoë Druick, "Non-Theatrical with Dreams of Theatrical": Paradoxes of a Canadian Semi-Documentary Film Noir
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Peter Urquhart, You Should Know Something -- Anything -- About This Movie. You Paid for It.
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Jennifer VanderBurgh, Ghostbusted! Popular Perceptions of English-Canadian Cinem
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Darrell Varga, Locating the Artist in Thirty Two Short Films About Glenn Gould
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A Peter Morris Bibliography
Book Reviews / Comptes rendus
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Melinda Barlow,Touch: Sensuous Theory and Multisensory Media
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Colin N.S. Burnett, Nobody's Perfect: Writings for The New Yorker
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Dyrk Ashton, Mediated Associations: Cinematic Dimensions of Social Theory
Index to Volumes 11 and 12
Volume 13 No. 1, Spring/printemps 2004
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Articles
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Miriam Bratu Hansen, Room-For-Play: Benjamin's Gamble with Cinema
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Jim Ellis, Sound, Space and Selfhood: Stereoscopic Apprehension in The Paradise Institute
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Angeliki Koukoutsaki-Monnier, Zoos humains et mises en scène de l'altéritéé ethnique : My Big Fat Greek Wedding
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Jen Webb and Tony Schirato, Disenchantment and The City of Lost Children
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Brenda Longfellow, Counter-Narratives, Class Politics and Metropolitan Dystopias: Representations of Globalization in Maelström, waydowntown and La Moitié gauche du frigo
Book Reviews / Comptes rendus
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Peter Dickinson, The Cinema of Robert Lepage: The Poetics of Memory
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Bruno Cornellier, Ephemeral Territories: Representing Nation, Home, and Identity in Canada
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Mary Alemany-Galway, Women Filmmakers: Refocusing
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William C. Wees, The Films of Jack Chambers
Volume 13 No. 2, Fall/ automne 2004
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Articles
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Graham Petrie, Bertolt Brecht and Béla Balázs: Paradoxes of Exile
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Bart Beaty, Imagining the Written Word: Adaptation in the Work of Bruce McDonald and Nick Craine
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Monique Jucquois-Delpierre, «Comment peut-on être Persan?» ou les enjeux d’une analyse filmique
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Jessica B. Langston, Women in a Word: Anne Claire Poirier’s Subversive Subjectivity
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Judith P. Robertson, Teaching in Your Dreams: Screen-play Pedagogy and Margarethe von Trotta’s The Second Awakening of Crista Klages
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Jean Bruce, The View from Here...or There: Canada’s Best Features: Critical Essays on 15 Canadian Films North of Everything: English-Canadian Cinema Since 1980
Book Reviews / Comptes rendus
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Peter Harcourt, Atom Egoyan
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Zoë Druick, Screen Traffic: Movies, Multiplexes, and Global Culture
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JoAnne Stober, The Girl from God’s Country: Nell Shipman and the Silent Cinema
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Jennifer VanderBurgh, Hollywood North: The Feature Film Industry in British Columbia
Volume 14 No. 1, Spring/ printemps 2005
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Articles
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William C. Wees, A Sense of Sight: A Special Issue Devoted to Stan Brakhage
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Marilyn Brakhage, Rhythms of Vision in Stan Brakhage’s City Streaming
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Bart Testa, Late and Somewhere Firm: Notes on Brakhage’s Vancouver Island Films
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Izabella Pruska-Oldenhof, The Aesthetics of Menace: Stan Brakhage, Tom Thomson, and the Group of Seven
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R. Bruce Elder, Goethe’s Faust, Gertruce Stein’s Doctor Faustus Lights the Lights, and Stan Brakhage’s Faust Series
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Jerry White, Brakhage’s Tarkovsky and Tarkovsky’s Brakhage: Collectivity, Subjectivity, and the Dream of Cinema
Cine-Document
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Stan Brakhage, On Canadian Painting and Cinema
Book Reviews / Comptes rendus
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Brett Kashmere, Telling Time: Essays of a Visionary Filmmaker
Volume 14 No. 2, Fall/automne 2005
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Articles
William Beard, Maddin and Melodrama
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Michel S. Beaulieu, “The Best Picture Ever Made in Canada”? Thunder Bay Films Limited and The Devil Bea
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Jennifer L. Gauthier, Where Is Here? Local Visions in Three Canadian Films
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Bruce Williams, The Bridges of Los Angeles Country: Marketing Language in the Chicano Cinema of Gregory Nava
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Gabriel F. Giralt, Andrei Tarkovsky’s Film Adaptation of the Motifs Embedded in Leonardo da Vinci’s The Adoration of the Magi
Cine-Forum
Review-Essays / Essais comptes rendus
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Erin Manning, Imaginings of and beyond the Public Sphere: Screening Québec: Québécois Moving Images, National Identity, and the Public Sphere
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Eric Prince, Le Cinéma hollywoodien vu dans une perspective philosophique: Cities of Words: Pedagogical Letters on a Register of the Moral Life
Book Reviews / Comptes rendus
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Darrell Varga, One Man’s Documentary: A Memoir of the Early Years of the National Film Board
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Richard Porton, Movie Mutations: The Changing Face of World Cinephilia
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Brad Kent, Irish Film Censorship: A Cultural Journey from Silent Cinema to Internet Pornography
Volume 15 No. 1, Spring/printemps 2006
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Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles
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Peter Urquhart and Ira Wagman, Considering Canadian Television: Intersections, Missed Directions, Prospects for Textual Expansion
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Sarah Matheson, Ruling the Inner City: Television, Citizenship and King of Kensington
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Murray Leeder, Closet and Confessional: Television and Hybridity in Mambo Italiano
Review-essays / Essais comptes rendus
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Bart Testa, Five Books on Film and Religion: The Hidden God: Film and Faith; Perspectives on The Passion of the Christ: Religious Thinkers and Writers Explore the Issues Raised by the Controversial Movie; The End of the World: The Apocalyptic Imagination; Film As Religion: Myths, Morals, and Rituals; Alien Sex: The Body and Desire in Cinema and Theology; Cinema, Religion and the Romantic Legacy
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Nataša Duroviová, The Seen, the Heard, and the Read: Subtitles: On the Foreignness of Film
Book Reviews / Comptes rendus
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Paul S. Moore, Museum Movies: The Museum of Modern Art and the Birth of Art Cinema
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Bruce Barton, Stage-Bound: Feature Film Adaptations of Canadian and Québécois Drama
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Philippe Mather, Stanley Kubrick Drama and Shadows: Photographs 1945-1950
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John W. Locke, Cinema’s Conversion to Sound Technology and Film Style in France and the U.S.
Volume 15 No. 2, Fall/automne 2006
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Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles
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Kristy A. Holmes-Moss, Negotiating the Nation: “Expanding” the Work of Joyce Wieland
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Lawrence Howe, The Epistemology of Adaptation in John Greyson’s Lilies
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Marc Raymond, The Multiplicity of Generic Discourses and the Meaning and Pleasure of Mean Streets
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Dominique Russell, Sounds Like Horror: Alejandro Amenábar’s Thesis on Audio-Visual Violence
Review-essays / Essais comptes rendus
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Ger Zielinski, Film Festival Fever: Recent Testimonialsm
Volume 16 No. 1, Spring/printemps 2007
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Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
A Special Issue on Documentary Historiographies
Introduction
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Thomas Waugh, The Old and the New: Updating Documentary Historiographies
Articles
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Philip Rosen, Now and Then: Conceptual Problems in Historicizing Documentary Imaging
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Emma Sandon, Preserving a Heritage? South African Archive Documentaries: 1910-1940
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Neepa Majumdar, Film Fragments, Documentary History, and Colonial Indian Cinema
Book Reviews • Comptes rendus
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Pierre Véronneau, Le Cinéma de Michel Brault: á l’image d’une nation
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Sylvain Duguay, Self Portraits: The Cinemas of Canada Since Telefilm
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Peter Urquhart, One Hundred Years of Canadian Cinema / They Came from Within: A History of Canadian Horror Cinema
Volume 16 No. 2, Fall/automne 2007
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Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles
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William C. Wees, From Compilation to Collage: The Found-Footage Films of Arthur Lipsett
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Mitsuyo Wada-Marciano, J-Horror: New Media’s Impact on Contemporary Japanese Horror Cinema
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Michelle Stewart, The Indian Film Crews of Challenge for Change: Representation and the State
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Marc James Léger, Sad Bunny: Vincent Gallo and the Melancholia of Gender
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Paul Matthew St. Pierre, Silent Film and the Early Fiction of Stephen Leacock
CIiné-Forum
Review-essays / Essais comptes rendus
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Bart Testa, The Cinema of Attractions Reloaded
Book Reviews • Comptes rendus
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Cheryl Simon, Killing Women: The Visual Culture of Gender and Violence
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Michael Meneghetti, Writing History in Film
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Kenneth White, Grammar & Not-Grammar: Selected Scripts and Essays by Gary Kibbins
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Dimitris Eleftheriotis, Contemporary Costume Film
Volume 17 No. 1, Spring/printemps 2008
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Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
A Special Issue on Film and Disability
Introduction
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Nicole Markotić, Punching Up the Story: Disability and Film
Articles
Book Reviews • Comptes rendus
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Michael Brendan Baker, Projecting Canada: Government Policy and Documentary Film at The National Film Board of Canada • Filming Politics: Communism and the Portrayal of the Working Class at The National Film Board of Canada, 1939-46
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Jon Davies,The Sharpest Point: Animation at the End of Cinema
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Margaret DeRosia, The Romance of Transgression in Canada: Queering Sexualities, Nations, Cinemas
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Diane Burgess, The Cinema of Canada • Film in Canada
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Marc Raymond, Gangster Priest: The Italian American Cinema of Martin Scorsese
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Charles O’Brien, Popular Front Paris and the Poetics of Culture
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Yu-Jyuan Jian, Taiwan Film Directors: A Treasure Island
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Heather Macdougall, Genre and Cinema: Ireland and Transnationalisms
Volume 17 No. 2, Fall/automne 2008
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Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles
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Tutun Mukherjee, Deepa Mehta’s Film Water: The Power of the Dialectical Image
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Nicholas Serruys, Nanook of the North et le cinéma ethnographique : cinédoc ou synecdoque ?
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Blair Davis, Old Films, New Sounds: Screening Silent Cinema with Electronic Music
Book Reviews • Comptes rendus
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Marc Furstenau, Fluid Screens, Expanded Cinema
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Paul Monticone, Beyond the Multiplex: Cinema, New Technologies, and the Home
Volume 18 No. 1, Spring/printemps 2009
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Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
A Special Issue on Contemporary Japanese Cinema in Transition
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Mitsuyo Wada-Marciano, Introduction
Articles
Daisuke Miyao, From Doppelganger to Monster: Kitano Takeshi’s Takeshis’
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Aaron Gerow, The Homelessness of Style and the Problems of Studying Miike Takashi
Review-essays / Essais comptes rendus
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William C. Wees, Whatever Happened To Underground Film?
Book Reviews • Comptes rendus
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Julianne Pidduck, Masculine Singular: French New Wave Cinema
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Joan Nicks, Now Playing: Early Moviegoing and the Regulation of Fun
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Aaron Taylor, The Horse Who Drank the Sky: Film Experience Beyond Narrative and Theory
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Murray Leeder, Celluloid Vampires: Life After Death in the Modern World
The Canadian Journal of Film Studies/Revue canadienne d'études cinématographiques is indexed by the Federation Internationale des Archives du Film (FIAF) and its published listing, the International Index to Film/Television Periodicals;Film/Literature Index; and Media Review Digest. ISSN 0847-5911.
Le Canadian Journal of Film Studies/Revue canadienne d'études cinématographiques est indexé par la Fédération internationale des archives du film (FIAF) dans leur publication The International Index to Film/Television Periodicals; dans le Film/Literature Index; et dans le Media Review Digest. ISSN 0847-5911.























