CANADIAN JOURNAL OF FILM STUDIES /

REVUE CANADIENNE D'ÉTUDES CINÉMATOGRAPHIQUES

 

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For a complete author/title index of volumes I-XIV, No. 1 please click here

 

 

Volume 1 No. 1, 1990

Articles

• Ron Burnett, The Martin Walsh Memorial Lecture 1988: These Images Which Rain Down Into the Imaginary

• Catherine Russell ,The Life and Death of Authorship in Wim Wenders' The State of Things

• William C. Wees, From the Rearview Mirror to Twenty Minutes Into the Future: The Video Image in Videodrome and Max Headroom

• Evan William Cameron, Kant's Station; The Lumières' Train: Seeing Things By Means of Film

• André Gaudrault , Filmographic Analysis and Early Cinema

• Scott Forsyth ,The Failures of Nationalism and Documentary: Grierson and Gouzenko

• Sources and Documents: John Grierson: Relations with the United States Film Industry, 31 October 1944

Book Reviews

• André Gaudrault: Du littéraire au filmique, systeme du récit (1988), by Jean-Claude Jaubert

Volume 1 No. 2, 1991

Articles

• R. Bruce Elder, Antonioni's Tragic Vision

• Michael Dorland, The War Machine: American Culture, Canadian Cultural Sovereignty & Film Policy

• Bart Testa, Review Essay: Out of Theory

• Robert McMillan, Ethnology and the NFB: The Laura Boulton Mysteries

Book Review

• Brenda Longfellow, Gaylyn Studlar: In The Realm of Pleasure: Von Sternberg, Dietrich and the Masochistic Aesthetic (1988)

Volume 2 No. 1, 1992

Articles

• Thomas Waugh, Strength and Stealth: Watching (and Wanting) Turn-of-the-Century Strongmen

• Donato Totaro, Time and the Film Aesthetics of Andrei Tarkovsky

• Zuzana M. Pick , Spectacles of Daily Life: Up To a Point (Cuba 1983, Tomás Gutierrez Alea)

• Gaile McGregor, Grounding the Countertext: David Cronenberg and the Ethnospecificity of Horror

• Blaine Allan, Handmade, or David Rimmer's Divine Mannequin

Review Essay

• Brian McIlroy, Books on British Cinema

Volume 2 Nos. 2-3, 1993 - Cinema and Nation (Peter Harcourt, Guest Editor)

Articles

• Peter Harcourt , Canada : An Unfinished Text?

• Christine Ramsay, Canadian Cinema from the Margins: "The Nation" and Masculinity in Goin' Down the Road

• Bill Marshall , Gender, Narrative and National Cinema in Les Filles de Caleb

• Blaine Allan , Canada 's Sweethearts, or Our American Cousins

• Joan Nicks , sex, lies and landscape: meditations on vertical tableaux in The Far Shore and J.A. Martin, photographe

• Mike Gasher , Decolonizing the Imagination: Cultural Expressions as Vehicle of Self-Discovery

• Paul Salmon, Revising the Traditions: Hanif Kureishi and Contemporary British Cinema

• Angela Stukator , Critical Categories and the (Il)logic of Identity

• Karen Wall , "Déjà vu/jamais vu" -- The Adjuster and the Hunt for the Image

• Thomas Waugh, Cultivated Colonies: Notes on Queer Nationhood and the Erotic Image

Book Reviews

• Gerald Pratley, Martha Braun: Picturing Time: The Work of Etienne-Jules Marey (1830-1904); and Pare Lorentz: FDR's Moviemaker: Memoirs and Scripts (1992)

Index Vol. 1 and Vol. 2

 

Volume 3 No. 1, Spring/Printemps 1994

Articles

• Charles Acland, National Dreams, International Encounters: The Formation of Canadian Film Culture in the 1930s

• Peter Morris , In Our Own Eyes: The Canonizing of Canadian Film

• Rod S. Heimpel , Hitchock's Psycho in Stephen Frear's The Grifters

• André Loiselle , Novel, Play, Film: The Three Endings of Gordon Pinsent's John and the Missus

Book Reviews

• Michael Zryd; Bill Nichols: Representing Reality: Issues and Concepts in Documentary (1991), and Michael Renov, ed.: Theorizing Documentary (1993)

• Bart Testa and Michele Magny, Douglas Bowie and Tom Shoebridge, eds.: Best Canadian Screenplays, and Atom Egoyan: Speaking Parts, with an introduction by Ron Burnett (1993)

• De l'histoire du cinéma (1992), by Yves Laberge

Volume 3 No. 2, Fall/automne 1994

Articles

• Christopher Faulkner, Affective Identities: French National Cinema and the 1930s

• Catherine Russell , Mourning the Woman's Film: The Dislocated Spectator of The Company of Strangers

• William Beard , Unforgiven and the Uncertainties of the Heroic

• Janice Kaye , Perfectly Normal, Eh?: Gender Transformation and National Identity in Canada

• Robert Fothergill; Ciné-Documents: The Distribution Centre: A Founding Memoir

• Bart Testa, Movies by Clyde Gilmour: The Underground is Here, from Telegram (Toronto) June 16, 1967;
  The Two Religions of Avant-Garde Film, or Maybe Three (From Notes Made in Boulder, Colorado, June 1992)

Book Reviews

• Mike Gasher; Ted Magder, Canada 's Hollywood : The Canadian State and Feature Films (1993)

• Joan Nicks, Peter Steven: Brink of Reality: New Canadian Documentary Film and Video (1993)

• Gary Peters, Barbara Creed,The Monstrous-Feminine: Film, Feminism and Psychoanalysis (1993)

Volume 4 no. 1, Spring/printemps 1995

Articles

• Christine Ramsay, Social Surfaces and Psychic Depths in David Wellington's I Love a Man in Uniform

• Gayle Irwin , Luis Bunuel's Postmodern Explicador: Film, Story and Narrative Space

• Ollivier Dyens, La Phénoménologie du cyborg: cinéma, cyberspace et entropie

• Pierre Véronneau , Aspects temporels d'une muséologie du cinéma

Book Review

• Peter Morris: Cronenberg, A Delicate Balance (1994), by William Beard

Volume 4, No. 2, Fall/automne 1995

Articles

• Serge Cardinal, Le Lieu du son, l'espace de la source. Autour d'Une Femme douce (France, Robert Bresson, 1969).

• Robert McMillan, Review Essay: Recent Sternberg Studies, and the Contributions of Peter Baxter.

Special Book Reviews Section, edited by Bart Testa

• Bruce Elder, Eisenstein, My Contemporary

• Donato Totaro. Vida T. Johnson and Graham Petrie, The Films of Andrei Tarkovsky: A Visual Fugue.

• Graham Petrie. Andrei Tarkovsky, Time Within Time: The Diaries 1970-1986.

• Paul Kapsos. Denise Youngblood, Movies for the Masses: Popular Cinema and Soviet Society in the 1920's.

• Bart Testa. Bohdan Y. Nebesio, editor, The Cinema of Alexander Dovzhenko and Alexander Dovzhenko: A Guide to Published Sources.

Index to Volumes I to IV
 

Volume 5, No. 1, Spring/printemps 1996

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.

Articles

• Seth Feldman What Was Cinema? -- The Martin Walsh Memorial Lecture (1996)

• Bernard Perron Alain Cavalier : visage de style

• Denis Fortin Les références cinéphiliques chez Woody Allen: construire une oeuvre sur la base de l'intertextualité

• Serafima Roll Fragmentation and Ideology in Kira Muratova's The Asthenic Syndrome and Arto Paragamian's Because Why

Book Reviews/Comptes Rendus de lecture

• Sheila Petty. Nwachukwu Frank Ukadike, Black African Cinema

• Leland Poague. Mario Falsetto, Stanley Kubrick: A Narrative and Stylistic Analysis

• Catherine Russell. Scott, Bukatman, Terminal Identity: The Virtual Subject in Postmodern Science Fiction

• Jim Leach. Catherine Russell, Narrative Mortality: Death, Closure, and New Wave Cinemas

• Nadine Sivak. Carole Zucker, Figures of Light: Actors and Directors Illuminate the Art of Film Acting

Volume 5, No. 2, Fall/automne 1996

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.

Articles

• Brenda Longfellow, Globalization and National Identity in Canadian Film

• André Loiselle, Cinema, Theatre and Red Gushing Blood in Jean Beaudin's Being at Home With Claude

• Jean Bruce, Querying or 'Queering' the Nation: The Lesbian Postmodern and Canadian Women's Cinema

• Angela Stukator, Hags, Nags, Witches and Crones: Reframing Age in The Company of Strangers

• Scott Mackenzie, Société nouvelle: The Challenge for Change in the Alternative Public Sphere

• Dave Douglas, Exile on Hastings & Main Street: The Vancouver Films of Larry Kent

• Christopher Gittings, Alterity and Nation: Screening Race, Sex, Gender and Ethnicity in Back to God's Country

• André Gaudreault and Germain Lacasse, translated by Madeleine Beaudry, The Introduction of the Lumière Cinematograph in Canada

Ciné Documents

• J. Booth Scott, November 1966, with an Afterword by Blaine Allan

Book Reviews/Comptes Rendus de lecture

• Lianne McLarty, Janine Marchessault, ed., Mirror Machine: Video and Identity

• Gene Walz, Gilles Hebert, ed., Dislocations 

Volume 6, No. 1, Spring/printemps 1997

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.

Articles

• Laurence Alfonsi: La réception de François Truffaut aux Etats-Unis: Les conditions de sa popularité

• Janina Falkowska: American and European Voices in the Films of European Filmmakers Wim Wenders, Percy Adlon and Aki Kaurismäki

• Jennifer Henderson, Hose Stalking: Heavenly Creatures as Feminist Horror

• Joanne Hershfield: Women's Pictures: Identity and Representation in Recent Mexican Cinema.

• Maaret Koskinen, "Everything Represents, Nothing Is": Some Relations Between Ingmar Bergman's Films and Theatre Productions

• Priscilla L. Walton, A Slippage of Masks: Dis-Guising Catwoman in Batman Returns

Book Reviews

• Chris Cooling, Michel Chion, David Lynch; Richard K. Ferncase, Outsider Features: American Independent Films of the 1980's; Jim Hiller, The New Hollywood ; and John Pierson, Spike, Mike, Slackers and Dykes: A Guided Tour Across a Decade of American Independent Cinema

• Janice Kaye, Barry Keith Grant, Voyages of Discovery: The Cinema of Frederick Wiseman

• Jeannette Sloniowski, Lesley Stern, The Scorses Connection

• Greg Taylor, James Peterson, Dreams of Chaos, Visions of Order: Understanding the American Avant-Garde Cinema

Volume 6, No. 2, Fall/automne 1997

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles

• Janet Staiger The Romances of the Blonde Venus: Movie Censors Versus Movie Fans

• Paul Coates Protecting the Exotic: Atom Egoyan and Fantasy

• R.J.A. Kilbourn Toward a Non-Euclidean Cinema: Kieslowski and Literature

• Marek Haltof and Donald Smith An Aborted Revolution, A Stillborn Generation: Generational Politics and Gender Relations in Pé ter Gothár's Time Stands Still

Ciné Documents

• Scott MacKenzie The Missing Mythology: Barthes in Québec

Book Reviews

• Janina Falkowska Christopher Garbowski, Krzysztof Kieslowski's Decalogue Series: The Problem of the Protagonists and Their Self-Transcendence

• Bart Kalnay Andre Bazin, Bazin at Work: Major Essays and Reviews from the Forties and Fifties

• Paula Willoquet-Maricondi Alan Woods, Being Naked Playing Dead: The Art of Peter Greenaway

Index: Volumes 1 through 6
 

Volume 7, No. 1, Spring/printemps 1998

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles

• Catherine Russell, Dystopian Ethnography: Peter Kubelka's Unsere Afrikareise Revisited

• Marjorie D. Kibby, Nostalgia for the Masculine: Onward to the Past in the Sports Films of the Eighties

Ciné Documents

• Germain Lacasse, Les films "perdus" de la guerre oubliée

• Michael Dancsok, An Introduction to Notes and Proposals by Arthur Lipsett

• Arthur Lipsett, Notes and Proposals

Review-Essay

• Edoardo Moretti, The Film Spectator: From Sign to Mind

Book Reviews

• Paul Matthew St. Pierre, Women Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity

• Lucia Bozzola, By Angels Driven: The Films of Derek Jarman and Derek Jarman: Dreams of England

• Bart Testa, Film Genre Reader II

   

Volume 7, No. 2, Fall/automne 1998

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles

• Melanie Nash, "Where Are You Going To, My Pretty Maid?": Norma Shearer and the Cultural Uses of a "Canadian" Star

• Jeannette Sloniowski, Las Hurdes and the Political Efficacy of the Grotesque

• Erin Manning, The Haunted Home: Colour Spectrums in Robert Lepage's Le Confessional

Book Reviews

• Vanessa T. Higgs, Hard to Imagine: Gay Male Eroticism in Photography and Film from Their Beginnings to Stonewall

• Malcolm Turvey, A Body of Vision: Representations of the Body in Recent Film and Poetry

• William C. Wees, Inside the Pleasure Dome: Fringe Film in Canada

• Catherine Russell, Bart Testa and Carole Zucker, The British Film Institute Film Classics and Modern Film Classics Series

FSAC/ACEC Membership Directory
 

Volume 8, No. 1 - Special Issue on Cinemas, Nations, Masculinities, Spring/printemps 1999

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles

• Angela Stukator, Introduction

• Thomas Waugh, Cinemas, Nations, Masculinities (The Martin Walsh Memorial Lecture, 1998)

• Brenda Longfellow, Hyperbolic Masculinity and the Ironic Gaze in Project Grizzly

• Christine Ramsay, Dead Queers: One Legacy of the Trope of "Mind Over Matter" in the Films of David Cronenberg

• Lee Parpart, Pit(iful) Male Bodies: Colonial Masculinity, Class and Folk Innocence in Margaret's Museum

• Jane M. Gaines, Lonely Boy and the Vérité of Sex

Book Review

• Bart Beaty, Masked Men: Masculinity and the Movies of the Fifties

Volume 8, No. 2, Fall/automne 1999

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles

• Patrice Petro, Film Feminism and Nostalgia for the Seventies (The Martin Walsh Memorial Lecture 1999)

• André Loiselle, Despair as Empowerment: Melodrama and Counter-Cinema in Anne Claire Poirier's Mourir à tue-tête

• Bruce Williams, Deformity at the Threshold of the Visible in Bemberg's I Don't Want to Talk About It

• Darell Varga, Desire in Bondage: Guy Maddin's Careful

Review-Essay

• R. Bruce Elder, Lovers of Cinema: The First American Film Avant-Garde 1919-1945

Book Reviews

• Jeanne Deslandes So Close to the State/s: The Emergence of Canadian Feature Film Policy

• P. Adams Sitney The Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson

• Shelley Stamp Gendering the Nation: Canadian Women's Cinema

• Susan Lord Chick Flicks: Theories and Memories of the Feminist Film Movement; Feminism and Documentary; Feminism and Film; Feminist Film Theory: A Reader; Passionate Detachments: An Introduction to Feminist Film Theory

• François Primeau The Scorsese Connection

• Robert Craig Gilles Deleuze's Time Machine

Index: Volumes 1 through 8
 

Volume 9, No. 1 - Special Issue on Individuals and Institutions, Spring/printemps 2000

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles

• William C. Wees, Introduction

• Haidee Wasson, "Some Kind of Racket": The Museum of Modern Art's Film Library, Hollywood and the Problem of Film Art, 1935

• Blaine Allan, A National "As Distinct from Departmental" Film Board, and the Case of Heritage

• Zoë Druick, Documenting Government: Re-examining the 1950s National Film Board Films About Citizenship

• Paul Tiessen, Film, Culture Criticism and Institutional Form, 1936-1956: The Work of Vernon van Sickle

Ciné Documents

• William C. Wees, "Let's Set the Record Straight": The International Experimental Film Congress, Toronto 1989

Review-Essay

• Scott MacDonald, Experimental Ethnology: The Work of Film in the Age of Video

Book Reviews

• Pierre Véroneau, Claude Jutra Filmmaker

• Mette Hjort, Passionate Views: Film, Cognition and Emotion

• Scott MacKenzie, English Hitchcock

• Laura U. Marks, The Emperor's Naked Army Marches On

   

Volume 9, No. 2, Fall/automne 2000

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles

• Zuzana Pick, A Romance With Mexico: The Epic Spectacle of the Revolution (The Martin Walsh Memorial Lecture, 2000)

• Scott MacKenzie, Lists and Chain Letters: Ethnic Cleansing, Holocaust Allegories and the Limits of Representation

• Russell Kilbourn, Re-Writing "Reality": Reading The Matrix

• Aaron Taylor, Rough Beasts Slouch Toward Bethlehem To Be Born: Eraserhead and the Grotesque Infant (Whose Hour Has Come Round At Last)

• Lucie Roy, Le Cycle des Lumière, d’une image-temps à une image-souvenir

Book Reviews / Comptes rendus

• Blaine Allan, The Films of Joyce Wieland

• Peter Ohlin, Ingmar Bergman: Magician and Prophet

• Gene Walz, Truffaut: A Biography

• Graham Petrie, Lucid Dreams: The Films of Krzysztof Kieslowski

• Jerry White, The Material Ghost: Films and the Medium and Practical Film Criticism: An Enlightened Approach to Moviegoing, Volume 1

 Volume 10, No. 1, Spring/printemps 2001

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles

• Charles R. Acland, Patterns of Cultural Authority: The National Film Society of Canada and the Institutionalization of Film Education, 1938-1941

• Kristian Moen, The Polyphonic Prairies: The Creation and Re-Creation of Drylanders

• Margot Francis, "The Inexplicable Presence of the Thing[s] Not Named": Dirty Laundry, the Railway and the Construction of Nation

• William C. Wees, Carrying On: Leslie Thornton, Su Friedrich, Abigail Child and American Avant-Garde Film of the Eighties

Ciné-Document

• Keewatin A. Dewdney, Discontinuous Films

Book Reviews / Comptes rendus

• Donato Totaro, The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses

• Charles Tepperman, American Movie Audiences: From the Turn of the Century To the Early Sound Era

• Diane Cantin, Le Corps au cinéma: Keaton, Bresson, Cassavettes

• Kay Armatage, Screen Style: Fashion and Femininity in 1930s Hollywood

• E.J. Bell, The Danish Directors: Dialogues on a Contemporary National Cinema

• Charles O'Brien, The Cinema of Jean Cocteau: Essays on his Films and their Coctelian Sources

Film Studies Association of Canada / Association canadienne des études cinématographiques: The First Twenty-Five Years

FSAC/ACEC Membership Directory

Guidelines for Contributors
 

Volume 10, No. 2 - Special Issue "Of Canadian Cinema And Canadarms: New Materialities", Fall/automne 2001

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles

• Brenda Longfellow and Thomas Waugh (Guest Editors), Introduction

• Brenda Longfellow, The Red Violin, Commodity Fetishism and Globalization

• Janine Marchessault, Sympathetic Understanding in Tu a crié Let Me Go

• John McCullough, The Exile of Professionals: John Glenn, Planet of the Apes and 2001: A Space Odyssey

• David McIntosh, Vanishing Point: Proliferations, Purifications and the Convergence of Canadian and Mexican National Cinemas

• Darrell Varga, Panic Bodies and the Performance of Space

• Thomas Waugh, Fairy Tales of Two Cities, or Queer Nation(s)/Urban Cinema(s)

Book Review / Compte rendu

• Germain Lacasse , Quebec National Cinema

Index to Volumes 1 through 10
 

Volume 11, No. 1, Spring/printemps 2002

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles

• Lynda Jessup, Moving Pictures and Costume Songs at the 1927 "Exhibition of Canadian West Coast Art, Native and Modern"

• Jamie Sexton, Grierson's Machines: Drifters, the Documentary Film Movement and the Negotiation of Modernity

• Scott Lee, Fargo : Struggle for the Vehicle

• Jerry White, Children, Narrative and Third Cinema in Iran and Syria

Book Reviews / Comptes rendu

• Germain Lacasse , Quebec National Cinema

• Casey A. Jarrin, Shooting to Kill: Filmmaking and the "Troubles" in Northern Ireland

• Phillipe Mather, Personal Visions: Conversations with Contemporary Film Directors

• Joan Nicks, A Scream from Silence/Mourir à tue-tête

• Murat Akser, The Fright of Real Tears: Krzysztof Kieslowski Between Theory and Post-Theory

• Robert Cagle, The Fruit Machine: Twenty Years of Writings on Queer Cinema

Volume 11, No. 2, Fall/automne 2002

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles

• Jim Leach, The Reel Nation: Image and Reality in Contemporary Canadian Cinema (Martin Walsh Memorial Lecture 2002)

• Peter Dickinson, Critically Queenie: The Lessons of Fortune and Men's Eyes

• Ruth Perlmutter, Multiple Strands and Possible Worlds

• Batia Boe Stolar, The "Canadian Popular": Atom Egoyan, Michael Ondaatje, and Canadian Popular Culture

• James Macgillivray, Andrei Tarkovsky's Madonna del Parto

Book Reviews / Comptes rendus

• Angela Stukator, Guide to the Cinema(s) of Canada, Take One's Essential Guide to Canadian Film, Weird Sex & Snowshoes and Other Canadian Film Phenomena

• Jerry White, Split Screen: Belgian Cinema and Cultural Identity

• Michael Zryd, Documenting the Documentary: Close Readings of Documentary Film and Video and Introduction to Documentary

Volume 12 No. 1, Spring/printemps 2003

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles

• Peter Clandfield, Bridgespotting: Lepage, Hitchcock, and Landmarks in Canadian Film

• Roger Hallas, The Genealogical Pedagogy of John Greyson's Zero Patience

• Adam Dickinson, The Rhythm of Happening: Antagonism and Community in Brenda Longfellow's Our Marilyn and A Balkan Journey

• Mark Browning, "Thou, The Player of the Game, Art God": Nabokovian Game-playing in Cronenberg's eXistenZ

• Avi Santo, Film Chronicles in Montréal's La Presse, 1906-1908

Ciné-Forum

• Scott MacKenzie, Soviet Expansionism: Fédor Ozep's Transnational Cinema

Book Reviews / Comptes rendus

• Jim Leach, A Postmodern Cinema: The Voice of the Other in Canadian Film and Canadian National Cinema

• Melanie Nash, Melodrama and Modernity: Early Sensational Cinema and its Contexts

• Brian Crane, Overhearing Film Dialogue

Volume 12 No. 2 - Revisions: A Special Issue in Honour of Peter Morris (Blaine Allan, Guest Editor), Fall/automne 2004

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles

• Blaine Allan, Revisions: A Special Issue in Honour of Peter Morris

• Peter Steven, Pleasing the Canadians: A National Flavour for Early Cinema, 1892-1914

• Paul S. Moore, Nathan L. Nathanson Introduces Canadian Odeon: Producing National Competition in Film Exhibition

• Zoë Druick, "Non-Theatrical with Dreams of Theatrical": Paradoxes of a Canadian Semi-Documentary Film Noir

• Peter Urquhart, You Should Know Something -- Anything -- About This Movie. You Paid for It.

• Jennifer VanderBurgh, Ghostbusted! Popular Perceptions of English-Canadian Cinem

• Darrell Varga, Locating the Artist in Thirty Two Short Films About Glenn Gould

• A Peter Morris Bibliography

Book Reviews / Comptes rendus

• Melinda Barlow,Touch: Sensuous Theory and Multisensory Media

• Colin N.S. Burnett, Nobody's Perfect: Writings for The New Yorker

• Dyrk Ashton, Mediated Associations: Cinematic Dimensions of Social Theory

Index to Volumes 11 and 12

 

Volume 13 No. 1, Spring/printemps 2004

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.
Articles

• Miriam Bratu Hansen, Room-For-Play: Benjamin's Gamble with Cinema

• Jim Ellis, Sound, Space and Selfhood: Stereoscopic Apprehension in The Paradise Institute

• Angeliki Koukoutsaki-Monnier, Zoos humains et mises en scène de l'altéritéé ethnique : My Big Fat Greek Wedding

• Jen Webb and Tony Schirato, Disenchantment and The City of Lost Children

• Brenda Longfellow, Counter-Narratives, Class Politics and Metropolitan Dystopias: Representations of Globalization in Maelström, waydowntown and La Moitié gauche du frigo

Book Reviews / Comptes rendus

• Peter Dickinson, The Cinema of Robert Lepage: The Poetics of Memory

• Bruno Cornellier, Ephemeral Territories: Representing Nation, Home, and Identity in Canada

• Mary Alemany-Galway, Women Filmmakers: Refocusing

• William C. Wees, The Films of Jack Chambers

 

Volume 13 No. 2, Fall/ automne 2004

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.

Articles

• Graham Petrie, Bertolt Brecht and Béla Balázs: Paradoxes of Exile

• Bart Beaty, Imagining the Written Word: Adaptation in the Work of Bruce McDonald and Nick Craine

• Monique Jucquois-Delpierre, «Comment peut-on être Persan?» ou les enjeux d’une analyse filmique

• Jessica B. Langston, Women in a Word: Anne Claire Poirier’s Subversive Subjectivity

• Judith P. Robertson, Teaching in Your Dreams: Screen-play Pedagogy and Margarethe von Trotta’s The Second Awakening of Crista Klages

• Jean Bruce, The View from Here...or There: Canada’s Best Features: Critical Essays on 15 Canadian Films North of Everything: English-Canadian Cinema Since 1980

Book Reviews / Comptes rendus

• Peter Harcourt, Atom Egoyan

• Zoë Druick, Screen Traffic: Movies, Multiplexes, and Global Culture

• JoAnne Stober, The Girl from God’s Country: Nell Shipman and the Silent Cinema

• Jennifer VanderBurgh, Hollywood North: The Feature Film Industry in British Columbia

 

Volume 14 No. 1, Spring/ printemps 2005

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.

Articles

• William C. Wees, A Sense of Sight: A Special Issue Devoted to Stan Brakhage

• Marilyn Brakhage, Rhythms of Vision in Stan Brakhage’s City Streaming

• Bart Testa, Late and Somewhere Firm: Notes on Brakhage’s Vancouver Island Films

• Izabella Pruska-Oldenhof, The Aesthetics of Menace: Stan Brakhage, Tom Thomson, and the Group of Seven

• R. Bruce Elder, Goethe’s Faust, Gertruce Stein’s Doctor Faustus Lights the Lights, and Stan Brakhage’s Faust Series

• Jerry White, Brakhage’s Tarkovsky and Tarkovsky’s Brakhage: Collectivity, Subjectivity, and the Dream of Cinema

Cine-Document

• Stan Brakhage, On Canadian Painting and Cinema

Book Reviews / Comptes rendus

• Brett Kashmere, Telling Time: Essays of a Visionary Filmmaker

 

Volume 14 No. 2, Fall/automne 2005

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.

Articles

• William Beard, Maddin and Melodrama

• Michel S. Beaulieu, “The Best Picture Ever Made in Canada”? Thunder Bay Films Limited and The Devil Bea

• Jennifer L. Gauthier, Where Is Here? Local Visions in Three Canadian Films

• Bruce Williams, The Bridges of Los Angeles Country: Marketing Language in the Chicano Cinema of Gregory Nava

• Gabriel F. Giralt, Andrei Tarkovsky’s Film Adaptation of the Motifs Embedded in Leonardo da Vinci’s The Adoration of the Magi

Cine-Forum

• Olof Hedling, “Stop Whining and Get on with the Basic Business of Being British”: Notes on Robin Wood, Canada and the Concept of National Film Culture

Review-Essays / Essais comptes rendus

• Erin Manning, Imaginings of and beyond the Public Sphere: Screening Québec: Québécois Moving Images, National Identity, and the Public Sphere

• Eric Prince, Le Cinéma hollywoodien vu dans une perspective philosophique: Cities of Words: Pedagogical Letters on a Register of the Moral Life

Book Reviews / Comptes rendus

• Darrell Varga, One Man’s Documentary: A Memoir of the Early Years of the National Film Board

• Richard Porton, Movie Mutations: The Changing Face of World Cinephilia

• Brad Kent, Irish Film Censorship: A Cultural Journey from Silent Cinema to Internet Pornography

 

Volume 15 No. 1, Spring/printemps 2006

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.

Articles

• Peter Urquhart and Ira Wagman, Considering Canadian Television: Intersections, Missed Directions, Prospects for Textual Expansion

• André Loiselle, A Small Life for the Small Screen: On the Cultural Phenomenon of the Sitcom La petite vie and the Critical Failure of the Feature Ding et Dong, le film

• Blaine Allan, Eaton’s March Big Sale, the Pepsi Taste Test Patrol, and Other Television Commercials of Phillip Borsos

• Sarah Matheson, Ruling the Inner City: Television, Citizenship and King of Kensington

• Murray Leeder, Closet and Confessional: Television and Hybridity in Mambo Italiano

Review-essays / Essais comptes rendus

• Bart Testa, Five Books on Film and Religion: The Hidden God: Film and Faith; Perspectives on The Passion of the Christ: Religious Thinkers and Writers Explore the Issues Raised by the Controversial Movie; The End of the World: The Apocalyptic Imagination; Film As Religion: Myths, Morals, and Rituals; Alien Sex: The Body and Desire in Cinema and Theology; Cinema, Religion and the Romantic Legacy

• Nataša Duroviová, The Seen, the Heard, and the Read: Subtitles: On the Foreignness of Film

Book Reviews / Comptes rendus

• Paul S. Moore, Museum Movies: The Museum of Modern Art and the Birth of Art Cinema

• Bruce Barton, Stage-Bound: Feature Film Adaptations of Canadian and Québécois Drama

• Philippe Mather, Stanley Kubrick Drama and Shadows: Photographs 1945-1950

• John W. Locke, Cinema’s Conversion to Sound Technology and Film Style in France and the U.S.

 

Volume 15 No. 2, Fall/automne 2006

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.

Articles

• Philip Rosen, Border Times and Geopolitical Frames

• Kristy A. Holmes-Moss, Negotiating the Nation: “Expanding” the Work of Joyce Wieland

• Lawrence Howe, The Epistemology of Adaptation in John Greyson’s Lilies

• Marc Raymond, The Multiplicity of Generic Discourses and the Meaning and Pleasure of Mean Streets

• Dominique Russell, Sounds Like Horror: Alejandro Amenábar’s Thesis on Audio-Visual Violence

• Paul Salmon, “The People Will Think...What I Tell Them to Think”: Orson Welles and the Trailer for Citizen Kane

Review-essays / Essais comptes rendus

• Ger Zielinski, Film Festival Fever: Recent Testimonialsm

 

Volume 16 No. 1, Spring/printemps 2007

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.

 

A Special Issue on Documentary Historiographies

Introduction

• Thomas Waugh, The Old and the New: Updating Documentary Historiographies

Articles

• Jane M. Gaines, Documenting Reality

• Philip Rosen, Now and Then: Conceptual Problems in Historicizing Documentary Imaging

• Seth Feldman, Vertov after Manovich

• Emma Sandon, Preserving a Heritage? South African Archive Documentaries: 1910-1940

• Neepa Majumdar, Film Fragments, Documentary History, and Colonial Indian Cinema

• Zoë Druick, The Rome Institute of Educational Cinematography, Reactionary Modernism, and the Foundation of Film Studies

Book Reviews  • Comptes rendus

• Pierre Véronneau, Le Cinéma de Michel Brault: á l’image d’une nation

• Sylvain Duguay, Self Portraits: The Cinemas of Canada Since Telefilm

• Peter Urquhart, One Hundred Years of Canadian Cinema / They Came from Within: A History of Canadian Horror Cinema

 

Volume 16 No. 2, Fall/automne 2007

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.

 

Articles

• William C. Wees, From Compilation to Collage: The Found-Footage Films of Arthur Lipsett

• Mitsuyo Wada-Marciano, J-Horror: New Media’s Impact on Contemporary Japanese Horror Cinema

• Michelle Stewart, The Indian Film Crews of Challenge for Change: Representation and the State

• Marc James Léger, Sad Bunny: Vincent Gallo and the Melancholia of Gender

• Paul Matthew St. Pierre, Silent Film and the Early Fiction of Stephen Leacock

CIiné-Forum

• Richard Raskin, Two “Marseillaise” Scenes: From Casablanca to West Beirut

Review-essays / Essais comptes rendus

• Bart Testa, The Cinema of Attractions Reloaded

Book Reviews  • Comptes rendus

• Cheryl Simon, Killing Women: The Visual Culture of Gender and Violence

• Michael Meneghetti, Writing History in Film

• Kenneth White, Grammar & Not-Grammar: Selected Scripts and Essays by Gary Kibbins

• Dimitris Eleftheriotis, Contemporary Costume Film

 

Volume 17 No. 1, Spring/printemps 2008

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.

 

A Special Issue on Film and Disability

Introduction

• Nicole Markotić, Punching Up the Story: Disability and Film

Articles

• Sharon L. Snyder and David T. Mitchell, “How Do We Get All These Disabilities in Here?”: Disability Film Festivals and the Politics of Atypicality

• Sally Chivers, “Move! You’re in the Way”: Disability and Age Meet on the Screen

• Robert Budde, The “Valuable Deformity”: Calipers and the Failed Trope of Postcolonial Debt in Deepa Mehta’s Earth

• Eunjung Kim and Michelle Jarman, Modernity’s Rescue Mission: Postcolonial Transactions of Disability and Sexuality

• Dawne McCance, The Wild Child

Book Reviews  • Comptes rendus

• Michael Brendan Baker, Projecting Canada: Government Policy and Documentary Film at The National Film Board of Canada   •   Filming Politics: Communism and the Portrayal of the Working Class at The National Film Board of Canada, 1939-46

• Jon Davies,The Sharpest Point: Animation at the End of Cinema

• Margaret DeRosia, The Romance of Transgression in Canada: Queering Sexualities, Nations, Cinemas

• Diane Burgess, The Cinema of Canada   •   Film in Canada

• Marc Raymond, Gangster Priest: The Italian American Cinema of Martin Scorsese

• Charles O’Brien, Popular Front Paris and the Poetics of Culture

• Yu-Jyuan Jian, Taiwan Film Directors: A Treasure Island

• Heather Macdougall, Genre and Cinema: Ireland and Transnationalisms

 

Volume 17 No. 2, Fall/automne 2008

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.

 

Articles

• Michael Brendan Baker, Dresden Story and the Emergence of the Talking Head in the NFB Documentary Film

• Elena del Río, Ararat and the Event of the Mother

• Tutun Mukherjee, Deepa Mehta’s Film Water: The Power of the Dialectical Image

• Israël Côté-Fortin, Robert Morin, Vidéaste du Spectacle

• Nicholas Serruys, Nanook of the North et le cinéma ethnographique : cinédoc ou synecdoque ?

• Blair Davis, Old Films, New Sounds: Screening Silent Cinema with Electronic Music

Book Reviews  • Comptes rendus

• Marc Furstenau, Fluid Screens, Expanded Cinema

• Paul Monticone, Beyond the Multiplex: Cinema, New Technologies, and the Home

 

Volume 18 No. 1, Spring/printemps 2009

Article titles are linked to abstracts.
Les titres des articles sont reliés à des résumés.

 

A Special Issue on Contemporary Japanese Cinema in Transition

• Mitsuyo Wada-Marciano, Introduction

Articles

• Daisuke Miyao, From Doppelganger to Monster: Kitano Takeshi’s Takeshis’

• Aaron Gerow, The Homelessness of Style and the Problems of Studying Miike Takashi

• William Gardner , The Cyber Sublime and the Virtual Mirror: Information and Media in the Works of Oshii Mamoru and Kon Satoshi

• Mitsuyo Wada-Marciano, Capturing “Authenticity”: Digital Aesthetics in the Post-Studio Japanese Cinema

Review-essays / Essais comptes rendus

• William C. Wees, Whatever Happened To Underground Film?

Book Reviews  • Comptes rendus

• Julianne Pidduck, Masculine Singular: French New Wave Cinema

• Joan Nicks, Now Playing: Early Moviegoing and the Regulation of Fun

• Aaron Taylor, The Horse Who Drank the Sky: Film Experience Beyond Narrative and Theory

• Murray Leeder, Celluloid Vampires: Life After Death in the Modern World

 

 

The Canadian Journal of Film Studies/Revue canadienne d'études cinématographiques is indexed by the Federation Internationale des Archives du Film (FIAF) and its published listing, the International Index to Film/Television Periodicals;Film/Literature Index; and Media Review Digest. ISSN 0847-5911.

 

Le Canadian Journal of Film Studies/Revue canadienne d'études cinématographiques est indexé par la Fédération internationale des archives du film (FIAF) dans leur publication The International Index to Film/Television Periodicals; dans le Film/Literature Index; et dans le Media Review Digest. ISSN 0847-5911.