CANADIAN JOURNAL OF FILM STUDIES /

REVUE CANADIENNE D'ÉTUDES CINÉMATOGRAPHIQUES

 

Author/Title Index to Back Issues

Volumes I through XVI, No. 2

 

An Aborted Revolution, A Stillborn Generation: Generational Politics and Gender Relations
in Péter Gothár’s Time Stands Still  IV, 2, 51
Acland, Charles  III, 1, 3
--  X, 1, 2
The Aesthetics of Menace: Stan Brakhage, Tom Thomson, and the Group of Seven  XIV, 1, 26
Affective Identities: French National Cinema and the 1930s  III, 2, 3
Alain Cavalier: visage de style  V, 1, 23
Akser, Murat  XI, 1, 108
Alemany-Galway, Mary  XIII, 1, 92
Alfonsi, Laurence  VI, 1, 3
Allan, Blaine  II, 1, 63
--  II, 2-3, 67
- - V, 2, 133
--  IX, 1, 30
--  IX, 2, 82
--  XII, 2, 2
--  XV, 1, 28
Alterity and Nation: Screening Race, Sex, Gender and Ethnicity in Back to God's Country  V, 2, 101
American and European Voices in the Films of European Filmmakers Wim Wenders, Percy Adlon and Aki Kaurismäki   VI, 1, 19
Andrei Tarkovsky’s Adaptation of Motifs Embedded in Leonardo da Vinci’s The Adoration of the Magi XIV, 2, 71
Antonioni's Tragic Vision  I, 2, 1
Armatage, Kay  X, 1, 117
Ashton, Dyrk XII, 2, 132
Aspects temporels d'une muséologie du cinéma  IV, 1, 67

 

Baker, Michael Brendan  XVII, 1,81
Barlow, Melinda  XII, 2, 126
Barthes, Roland  VI, 2, 75
Barton, Bruce  XV, 1, 97
Beard, William  III, 2, 41
--  IV, 1, 81
--  XIV, 2, 2
Beaty, Bart  VIII, 1, 119                                       
--  XIII, 2,22
Beaulieu, Michel S.  XIV, 2, 18
Bell, E.J.  X, 1, 121
Bertolt Brecht and Béla Balázs: Paradoxes of Exile  XIII, 2, 2
The Best Picture Ever Made in Canada? Thunder Bay Films Limited and The Devil Bear XIV, 2, 18
Book Reviews  I, 1, 89
--  II, 2-3, 179
--  III, 1, 83
--  III, 2, 101
--  IV, 1, 81
--  IV, 2, 33                                            
--  V, 1, 69
--  V, 2, 135
--  VI, 1, 113
--  VI, 2, 84 
--  VII, 1, 74
--  VII, 2, 66
--  VIII, 1, 119
--  VIII, 2, 81
--  IX, 1, 124
--  IX, 2, 82
--  X, 1, 106
--  X, 2, 127
--  XI, 1, 98
--  XI, 2, 101
--  XII, 1, 105
--  XII, 2, 126
--  XIII, 1, 84
--  XIII, 2, 102
--  XIV, 1, 101
--  XIV, 2, 106
--  XV, 1, 94
--  XVI, 1, 98
--  XVI, 2, 127
--  XVII, 1, 81
Border Times and Geopolitical Frames  XV, 2, 2
Bozzola, Lucia  VII, 1, 76
Brakhage, Marilyn  XIV, 1, 5
Brakhage, Stan  XIV, 1, 85
Brakhage’s Tarkovsky and Tarkovsky’s Brakhage: Collectivity, Subjectivity, and the Dream of Cinema  XIV, 1 69
Bridgespotting: Lepage, Hitchcock, and Landmsrks in Canadian Film  XII, 1, 2
The Bridges of Los AngelesCounty: Marketing Language in the Chicano Cinema of Gregory Nava XIV, 2, 54
British Cinema (Review-Essay)  II, 1, 81
Browning, Mark XII, 1, 57
Bruce, Jean  V, 2, 35
--  XIII, 2, 93
Budde, Robert  XVII, 1, 44
Burgess, Diane  XVII, 1, 88
Burnett, Colin N.S.  XII, 2, 129
Burnett, Ron  I, 1, 1

 

Cagle, Robert  XI, 1, 111
Cameron, Evan William  I, 1, 36
Canada: An Unfinished Text?  II, 2-3, 5
Canada's Sweethearts, or Our American Cousins  II, 2-3, 67
Canadian Narrative Cinema from the Margins: "The Nation" and Masculinity in Goin' Down The Road  II, 2-3, 27
The “Canadian Popular”: Atom Egoyan, Michael Ondaatje, and Canadian Popular Culture XI, 2, 62
Cantin, Diane  X, 1, 114
Cardinal, Serge  IV, 2, 3
Carrying On: Leslie Thornton, Su Friedrich, Abigail Child and Amertican Avant-Garde Film of the Eighties  X, 1, 70
Children, Narrative, and Third Cinema in Iran and Syria  XI, 1, 78
Chivers, Sally  XVII, 1, 30
Le Cinéma hollywoodien vu dans une perspective philosophique (essai compte rendu)  XIV, 2, 99
The Cinema of Attractions Reloaded (review-essay)  XVI. 2, 110
Cinema, Theatre and Red Gushing Blood in Jean Beaudin's Being at Home with Claude  V, 2, 17
Cinemas, Nations, Masculinities (The Martin Walsh Memorial Lecture 1998)  VIII, 1, 8
Clandfield, Peter XII, 1, 2
Closet and Confessional: Television and Hybridity in Mambo Italiano  XV, 1, 63
Coates, Paul  VI, 2, 21 
« Comment peut-on être Persan? » ou les enjeux d’une analyse filmique  XIII, 2, 45
Considering Canadian Television: Intersections, Missed Directions, Prospects for Textual Expansion XV, 1, 2
Cooling, Chris  VI, 1, 113
Cornellier, Bruno  XIII, 1, 88

Counter-Narratives, Class Politics and Metropolitan Dystopias: Representations of Globalization in Maelström, waydowntown and La Moitié gauche du frigo  XIII, 1, 69
Craig, Robert  VIII, 2, 99
Crane, Brian XII, 1, 111
Critical Categories and the (Il)logic of Identity  II, 2-3, 117
Cultivated Colonies: Notes on Queer Nationhood and the Erotic Image  II, 2-3, 145
Le Cycle des Lumière, d’une image-temps à une image-souvenir. Essai  IX, 2, 70

 

Dancsok, Michael VII, 1, 43
Davies, Jon  XVII, 1, 84
Dead Queers: One Legacy of the Trope of “Mind Over Matter” in the Films of David Cronenberg  VIII, 1, 45
Decolonizing the Imagination: Cultural Expressions as Vehicle of Self-Discovery              II, 2-3, 95
Deformity at the Threshold of the Visible in Bemberg’s I Don’t Want To Talk About It  VIII, 2, 44
"Déjà vu/jamais vu": The Adjuster and the Hunt for the Image  II, 2-3, 129
DeRosia, Margaret  XVII, 1, 93
Desire in Bondage: Guy Maddin’s Careful  VIII, 2, 56
Deslandes, Jeanne  VIII, 2, 81
Despair as Empowerment: Melodrama and Counter-Cinema in Anne Claire Poirier’s Mourir à tue-tête  VIII, 2, 21
Dewdney, Keewatin A.  X, 1, 96
Dickinson, Adam  XII, 1, 38
Dickingson, Peter XII, 2, 46
--  XIII, 1, 84
Discontinuous Films (Ciné-Document)  X, 1, 96
Disenchantment and The City of Lost Children  XIII, 1, 55
The Distribution Centre: A Founding Memoir (Ciné-Document) III, 2, 81
Documenting Government: Re-examining the 1950s National Film Board Films About Citizenship  IX, 1, 55
Documenting Reality XVI, 1, 5
Dorland, Michael  I, 2, 35
Douglas, Dave  V, 2, 85
Druick, Zoë  IX, 1, 55
--  XII, 2, 46
--  XIII, 2, 105
--  XVI, 1, 80
Duguay, Sylvain  XVI, 1, 102
Durovi ová, Nataša  XV, 1, 88
Dyens, Ollivier  IV, 1, 49
Dystopian Ethnography: Peter Kubelka’s Unsere Afrikareise Revisited  VII, 1, 3

 

Eaton’s March Big Sale, the Pepsi Taste Test Patrol, and Other Television Commercials of Phillip Borsos  XV, 1, 38
Eisenstein, My Contemporary (Review-Essay)  IV, 2, 33
Elder, R. Bruce  I, 2,  1
--  IV, 2, 33
-- VIII, 2, 71
-- XIV, 1, 51
Eleftheriotis, Dimitris  XVI, 2, 136
Ellis, Jim  XIII, 1, 28
The Epistemology of Adaptation in John Greyson’s Lilies  XV, 2, 44
Ethnology and the N.F.B.: The Laura Boulton Mysteries  I, 2, 67
"Everything Represents, Nothing Is": Some Reflections Between Ingmar Bergman's Films and Theatre Productions  VI, 1, 79
The Exile of Professionals: John Glenn, Planet of the Apes and 2001  X, 2, 36
Exile on Hastings & Main Street: The Vancouver Films of Larry Kent  V, 2, 85

 

Fargo: Struggle for the Vehicle XI, 1, 60
The Failure of Nationalism and Documentary: Grierson and Gouzenko  I, 1, 74
Fairy Tales of TwoCities, or Queer Nation(s)/Urban Cinema(s)  X, 2, 102
Falkowska, Janina  VI, 1, 19
--  VI, 2, 84
Faulkner, Christopher  III, 2, 3
Feldman, Seth  V, 1, 1
--  XVI, 1, 39
Feminism and Nostalgia for the Seventies (The Martin Walsh Memorial Lecture 1999)  VIII, 2, 3
“Let’s Set the Record Straight”: The International Experimental Film Congress, Toronto 1989 (Ciné-Document)  IX, 1, 101
Film Chronicles in Montréal’s La Presse, 1905-1908  XII, 1 69
Film, Culture Criticism and Institutional Form, 1936-1956: The Case of Vernon van Sickle  IX, 1, 80
Film Festival Fever: Recent Testimonials (review-essay)  XV, 2, 125
Film Fragments, Documentary History, and Colonial Indian Cinema  XVI, 1, 63
Filmographic Analysis and Early Cinema  I, 1, 57
Film Studies Association of Canada • Association canadienne d’études cinématographiques: The
Les films <<perdus>> de la guerre oubliée (Ciné-Document)  VII, 1, 29
First Twenty-Five Years  X, 1, 130
Five Books on Film and Religion (review-essay)  XV, 1, 75
Forsyth, Scott  I, 1, 74
Fothergill, Robert  III, 2, 81
Fortin, Denis  V, 1, 35
Fragmentation and Ideology in Kira Muratova's The Asthenic Syndrome and Arto Paragamian's Because WhyV, 1, 50
Francis, Margot  X, 1, 48
From Compilation to Collage: The Found Footage Films of Arthur Lipsett   XVI, 2, 2
From The Rearview Mirror to Twenty Minutes into the Future: The Video Image in
Videodrome and Max Headroom  I, 1, 29
Fotherhill, Robert  III, 2, 81

 

Gaines, Jane M.  VIII, 1, 102
--  XVI, 1, 5
Gasher, Mike  II, 2-3, 95
--  III, 2, 101
Gaudreault, André  I, 1, 57
--  V, 2, 113
Gauthier, Jennifer XIV, 2, 38
The Genealogical Pedagogy of John Greyson’s Zero Patience XII, 1, 16
Gender, Narrative and National Identity in Les Filles de Caleb  II, 2-3, 51
Ghostbusted! Popular Perceptions of English-Canadian Cinema XII, 2, 81
Gilmour, Clyde  III, 2, 87
Giralt, Gabriel F.  XIV, 2, 71
Gittings, Christopher  V, 2, 101
Globalization and National Identity in Canadian Film  V, 2, 3
Goethe’s Faust, Gertrude Stein’s Doctor Faustus Lights the Lights, and Stan Brakhage’s Faust Series  XIV, 1, 51
Grierson, John  I, 1, 83
Grierson’s Machines: Drifters, the Documentary Film Movement and the Negotiation of Modernity  XI, 1, 40
Grounding the Countertext: David Cronenberg and the Ethnospecificity of Horror  II, 1, 43

 

Hags, Nags, Witches and Crones: Reframing Age in The Company of Strangers  V, 2, 51
Hallas, Roger XII, 1, 16
Haltof, Marek  VI, 2, 51
The Haunted Home: Colour Spectrums in Robert Lepage’s Le Confessional  VII, 2, 49
Handmade, or David Rimmer's Divine Mannequin  II, 1, 63
Hansen, Miriam Brau  XIII, 1, 2
Harcourt, Peter  II, 2-3, 5
--  XIII, 2, 102
Hedling, Olof XIV, 2, 84
Heimpel, Rod S.  III, 1, 45
Henderson, Jennifer  VI, 1, 43
Hershfield, JoanneVI, 1, 61
Higgs, Vanessa T.  VII, 2, 66
Hjort, Mette  IX, 1, 127
Hitchock's Psycho in Stephen Frear's The Grifters  III, 1, 45
Homes-Moss, Kristy  XV, 2, 20
- -  XV, 2, 114
Hose Stalking: Heavenly Creatures as Feminist Horror  VI, 1, 43
“How Do We Get All These Disabilities in Here?”: Disability Film Festivals and the Politics of Atypicality  XVII, 1, 11
Howe, Lawrence  XV, 2, 44
Hyperboic Masculinity and the Ironic Gaze in Project Grizzly  VIII, 1, 87
 
Imaging the Written Word: Adaptation in the Work of Bruce McDonald and Nick Crane  XIII, 2, 22
Imaginings of and beyond the Public Sphere (review-essay) XIV, 2, 94
Index  II, 2-3, 183
--  IV, 2, 75
--  VI, 2, 95
--  VIII, 2, 106
--  X, 2, 132
–   XII, 2, 135
The Indian Film Crews of Challenge for Change: Representation and the State  XVI, 2, 49
“The Inexplicable Presence of the Thing[s] Not Named”: Dirty Laundry, the Railway and the Construction of Nation  X, 1, 48
The International Educational Cinematograph Institute, Reactuionary Modernism, and the Foundation of Film Studies  XVI, 1, 80
In Our Own Eyes: The Canonizing of Canadian Film  III, 1, 27
The Introduction of the Lumière Cinematograph in Canada  V, 2, 113
An Introduction to Notes and Proposals by Arthur Lipsett  VII, 1, 43
Irwin, Gaile  IV, 1, 27

 

J. Booth Scott, November 1966 (Ciné-Document)  V, 2, 124
Jarman, Michelle  XVII, 1, 52
Jarrin, Casey A.  XI, 1, 98
Jaubert, Jean-Claude  I, 1, 89
Jessup, Lynda  XI, 1, 2
J-Horror: New Media’s Impact on Contemporary Japanese Horror Cinema  XVI, 2, 23
Jian, Yu-Jyuan  XVII, 1, 103
Joyce Wieland: Interview and Notes on Reason Over Passion and Pierre Vallièrs (Ciné-Document)  XV, 2, 114
Jucquois-Delpierre, Monique  XIII, 2, 45

 

Kaye, Janice  III, 2, 63
--  VI, 1, 118
Kalnay, Bart  VI, 2, 88
Kant's Station; The Lumières' Train: Seeing Things By Means of Film  I, 1, 36
Kapsos, Paul  IV, 2, 65
Kashmere, Brett  XIV, 1, 101
Kent, Brad XIV, 2, 114
Kibby, Marjorie D.  VII, 1, 16
Kilbourn, J.A.  VI, 2, 34
--  IX, 2, 43
Kim, Eunjung  XVII, 1, 52
Koukoutsaki-Monnier, Angeliki  XIII, 1, 42
Koskinen, Maaret  VI, 1, 79

Laberge, Yves  III, 1, 90
Lacasse, GermainV, 2, 113
-- VII, 1, 29
–  X, 2, 127
Langston, Jessica B.  XIII, 2, 57
Las Hurdes and the Political Efficancy of the Grotesque  VII, 2, 30
Late and Somewhere Firm: Notes on Stan Brakhage’s Vancouver Island Films  XIV, 1, 12
Leach, Jim  V, 1, 83
--  XI, 2, 2
--  XII, 1, 104
Leeder, Murray  XV, 1, 63
Le Lieu du son, l'espace de la source: Autour d' Une Femme douce  IV, 2, 3
Lee, Scott  XI, 1, 60
Léger, Marc James  XVI, 2, 82
The Life and Death of Authorship in Wim Wenders' The State of Things  I, 1, 15                   
Lipsett, Arthur  VII, 1, 47
Lists and Chain Letters: Ethnic Cleansing, Holocaust Allegories and the Limits of Representation  IX, 2, 23
Locke, John W.  XV, 1, 104
Locating the Artist in Thirty Two Short Films About Glenn Gould  XII, 2, 99
Loiselle, André  III, 1, 67
--  V, 2, 17
-- VIII, 2, 21
--  XV, 1, 8
Lonely Boy and the Vérité of Sex  VIII, 1, 102
Longfellow, Brenda  I, 2, 83
--  V, 2, 3
--  VIII, 1, 87
--  X, 2, 6
--  XIII, 1, 69
Longfellow, Brenda and Thomas Waugh  X, 2, 2
Lord, Susan VIII, 2, 90
Lovers of Cinema: The First American Film Avant-Garde 1991-1945 (Review-Essay)  VIII, 2, 71
Luis Buñuel's Postmodern Explicador: Film, Story and Narrative Space  IV, 1, 27

 

MacDonald, Scott  IX, 1, 117
MacGillivray, James  XI, 2, 82
MacKenzie,Scott  V, 2, 67
--  VI, 2, 65
--  IX, 1, 131
--  IX, 2, 23
--  XII, 1, 92
Maddin and Melodrama  XIV, 2, 2
Majumdar, Neepa  XVI, 1, 63
Manning, Erin  VII, 2, 49
--  XIV, 2, 94
Marchessault, Janine  X, 2, 21
Markotić, Nicole  XVII, 1, 2
Marks, Laura U.  IX, 1, 134
Marshall, Bill  II, 2-3, 51
Martin Walsh Memorial Lecture  I, 1, 1
--  II, 2-3, 5
--  III, 2, 3
--  IV, 1, 3
--  V, 1, 3
--  VIII, 1, 8
--  VIII, 2, 3
--  IX, 2, 3
--  XI, 2, 2
--  XIII, 1, 2
--  XV, 2, 2
--  XVI, 2, 2
Mather, Phillipe  XI, 1, 102
--  XV, 1, 100
Matheson, Sarah  XV, 1, 46
McCance,  Dawne  XVII, 1, 69
McCullough, John  X, 2, 36
McDougall  XVII, 1, 106
McGregor, Gaile  II, 1, 43
McIlroy, Brian  II, 1, 81
McIntosh, David  X, 2, 59                                  
McLarty, Lianne  V, 2, 135
McMillan, Robert  I, 2, 67
--  IV, 2, 17                            
Meneghetti, Michael  XVI, 2, 130
The Missing Mythology: Barthes in Québec  VI, 2, 65
Mitchell, David T.  XVII, 1, 11
Modernitys Rescue Mission: Postcolonial Transactions of Disability and Sexuality  XVII, 1, 52
Moen, Kristian  X, 1, 28
Moore, Paul S.  XII, 2, 23
--  XV, 1, 94
Morris, Peter  III, 1, 27
Mourning the Woman's Film: The Dislocated Spectator of The Company of Strangers  III, 2, 25
“Move! You’re In the Way”: Disability and Age Meet on the Screen  XVII, 1, 30
Movies by Clyde Gilmour: The Underground is Here (Ciné-Document)  III, 2, 87
Moving Pictures and Costume Songs at the 1927 “Exhibition of Canadian West Coast Art, Native and Modern” XI, 1, 2
Multiple Strands and Possible Worlds XI, 2, 44
The Multiplicity of Generic Discourses and the Meaning and Pleasure of Mean Streets  XV, 2, 62

 

Nash, Melanie  VII, 2, 3
--  XII, 1, 107
Nathan L. Nathanson Introduces Canadian Odeon: Producing National Competition in Film Exhibition  XII, 2, 22
A National “As Distinct From Departmental” Film Board, and the Case of Heritage  IX, 1, 30
National Dreams, International Encounters: The Formation of Canadian Film Culture in the 1930s  III, 1, 3
Negotiating the Nation: “Expanding” the Work of Joyce Wieland  XV, 2, 20
Nicks, Joan  II, 2-3, 81
--  III, 2, 104
--  XI, 1, 106
“Non-Theatrical with Dream of Theatrical”: Paradoxes of a Canadian Semi-Documentary Film Noir  XII, 2, 46
Nostalgia for the Masculine: Onward to the Past in the Sports Films of the Eighties  VII, 1, 16
Notes and Proposals (Ciné-Document)  VII, 1, 47
Novel, Play, Film: The Three Endings of Gordon Pinsent's John and the Missus  III, 1, 67
Now and Then: Conceptual Problems in Historicizing Documentary Imaging XVI, 1, 25

 

O’Brien, Charles  X, 1, 125
--  XVII, 1, 99
Of Sport and Men (Ciné-Document)  VI, 2, 75
Ohlin, Peter  IX, 2, 86
The Old and the New: Updating Documentary Historiographies  XVI, 2
On Canadian Painting and Cinema (Ciné-Document)  XIV, 1, 85
Out of Theory (Review-Essay)  I, 2, 49

 

Panic Bodies and the Performance of Space X, 2, 80
Parpart, Lee  VIII, 1, 63
Patterns of Cultural Authority: The National Film Society of Canada and the Institutionalization of Film Education, 1938-1941  X, 1, 2
“The People Will Think...What I Tell Them to Think”: Orson Welles and the Trailer for Citizen Kane  XV, 2, 96
Perfectly Normal, Eh?: Gender Transformation and National Identity in Canada  III, 2, 63
Perlmutter, Ruth  XI, 2, 44
Perron, Bernard  V, 1, 23
Peters, Gary  III, 2, 108
Petrie, Graham  IV, 2, 62
--  IX, 2, 93
--  XIII, 2, 2
Petro, Patrice  VIII, 2, 3
Petty, SheilaV, 1, 69
La Phénoménologie du cyborg: cinéma, cyberspace et entropie  IV, 1, 49             
Pick, Zuzana M.  II, 1, 31
--  IX, 2, 3
Pit(iful) Male Bodies: Colonial Masculinity, Class and Folk Innocence in Margaret’s Museum  VIII, 1, 63
Pleasing the Canadians: A National Flavour for Early Cinema  XII, 2, 5
Poague, Leland  V, 1, 73
The Polyphonic Prairies: The Creation and Re-Creation of Drylanders  X, 1, 28
Porton, Richard XIV, 2, 109
Pratley, Gerald  II, 2-3, 179
Preserving a Heritage? South African Archive Documentaries: 1910-1940  XVI, 1, 51
Primeau, Francois  VIII, 2, 96
Prince, Eric XIV, 2, 99
Protecting the Exotic: Atom Egoyan and Fantasy  VI, 2, 21
Pruska-Oldenhof, Izabella  XIV, 1, 26
Punching Up the Story: Disability and Film  XVII, 1, 2

 

Querying or “Queering” the Nation: The Lesbian Postmodern and Canadian Women's Cinema  V, 2, 35

 

Ramsay, Christine  II, 2-3, 27
--  IV, 1, 3
--  VIII, 1, 45
Raskin, Richard  XVI, 2, 112
Raymond, Marc  XV, 2, 62
--  XVII, 1, 96
Recent Sternberg Studies and the Contribution of Peter Baxter  (Review-Essay)  IV, 2, 17
La réception de Francois Truffaut aux Etats-Unis: Les conditions de sa popularité  VI, 1, 3
The Red Violin, Commodity Fetishism and Globalization X, 2, 6
The Reel Nation: Image and Reality in Contemporary Canadian Cinema  XI, 2, 2
Les références cinéphiliques chez Woody Allen: construire une oeuvre sur la base de l'intertextualité  V, 1, 35
Relations with the United States Film Industry  I, 1, 83
Revising the Traditions: Hanif Kureishi and Contemporary British Cinema  II, 2-3, 107
Revisions: A Special Issue in Honour of Peter Morris  XII, 2, 2
Re-Writing “Reality”: Reading The Matrix  IX, 2, 43
The Rhythm of Happening: Antagonism and Community in Brenda Longfellow’s Our Marilyn and A Balkan Journey  XII, 1, 38
Rhythms of Vision in Stan Brakhage’s City Streaming
Robertson, Judith P.  XIII, 2, 74
Roll, Serafima  V, 1, 50
A Romance With Mexico: The Epic Spectacle of the Revolution (The Martin Walsh Memorial Lecture 2000)  IX, 2, 3
The Romances of the Blonde Venus:                Movie Censors Versus Movie Fans  VI, 2, 5
Room-For-Play: Benjamin’s Gamble with Cinema  XIII, 1, 2
Rosen, Philip XV, 2, 2
--  XVI, 1, 25
Rough Beasts Slouch Toward Bethlehem To Be Born: Eraserhead and the Grotesque Infant (Whose Hour Has Come Round At Last)  IX, 2, 55
Roy, Lucie  IX, 2, 70
Ruling the Inner City: Television, Citizenship and King of Kensington  XV, 1, 46
Russell, Catherine  I, 1, 15
--  III, 2, 25
--  V, 1, 79
--  VII, 1, 3
--  VII, 2, 78
Russell, Dominique  XV, 2, 81

 

Sad Bunny: Vincent Gallo and the Melancholia of Gender  XVI, 2, 82
Salmon, Paul  II, 2-3, 107
- -  XV, 2, 96
Sandon, Emma XVI, 1, 51
Santo, Avi  X!!, 1, 69
Scott, J. Booth  V, 1, 124
The Seen, the Heard, and the Read  XV, 1, 88
A Sense of Sight: A Special Issue Devoted to Stan Brakhage  XIV, 1, 3
Sex, Lies and Landscape: Meditations on Vertical Tableaux in The Far Shore and J.A. Martin, photographe  II, 2-3, 81
Sexton, Jamie  XI, 1, 40
Silent Film and the Early Fiction of Stephen Leacock  XVI, 2, 99
Simon, Cheryl  XVI, 2, 127
Sitney, P. Adams  VIII, 2, 83
Sivak, Nadine  V, 1, 88
A Slippage of Masks: Dis-Guising Catwoman in Batman Returns  VI, 1, 85
Sloniowski, Jeannette  VI, 1, 123
-- VII, 2, 30
A Small Life for the Small Screen: On the Cultural Phenomenon of the Sitcom La petite vie and the Critical Failure of the Feature Ding et Dong, le film  XV, 1, 8
Smith, Donald  VI, 2, 51
Snyder, Sharon L.  XVII, 1, 11
Social Surfaces and Psychic Depths in David Wellington's I Love a Man in Uniform  IV, 1, 3
Société nouvelle: The Challenge for Change in the Alternative Public Sphere  V, 2, 67
“Some Kind of Racket”: The Museum of Modern Art’s Film Library, Hollywood and the Problem of Film Art, 1935  IX, 1, 5
Sound, Space and Selfhood: Stereoscopic Apprehension in The Paradise Institute  XIII, 1, 28
Sounds Like Horror: Alejandro Amenábar’s Thesis on Audio-Visual Violence  XV, 2, 81
Soviet and Russian Cinema Books in Review  IV, 2, 32
Soviet Expansionism: Fédor Ozep’s Transnational Cinema  XII, 1, 92
Spectacles of Daily Life: Up to a Point  II, 1, 31
St. Pierre, Paul Matthew  VII, 1, 74
--  XVI, 2, 99
Staiger, Janet  VI, 2, 5
Stamp, Shelley  VIII, 2, 87
Steven, Peter  XII, 2, 5
Stewart, Michelle  XVI, 2, 49
Stober, JoAnne  XIII, 2, 108
Stolar, Batia Boe  XI, 2, 62
“Stop Whining and Get on with the Business of Being British”: Notes on Robin Wood, Canada and the Concept of a National Film Culture XIV, 2, 84

Strength and Stealth: Watching (and Wanting) Turn-of-the-Century Strongmen  II, 1, 1
Stukator, Angela  II, 2-3, 117
--  V, 2, 51
--  VIII, 1, 3
--  XI, 2, 101
Sympathetic Understanding in Tu as crié Let Me Go  X, 2, 21

Taylor, Aaron  IX, 2, 55
Taylor, Greg  VI, 1, 128
Teaching in Your Dreams: Screen-play Pedagogy and Margarethe von Trotta’s The Second Awakening of Crista Klages  XIII, 2, 74
Tepperman, Charles  X 1, 110
Testa, Bart  I, 2, 49
--  III, 1, 86
--  III, 2, 89
--  IV, 2, 71
--  VII, 1, 82
--  VII, 2, 78
--  XIV, 1, 12
--  XV, 1, 75
--  XVI, 2, 119
These Images Which Rain Down Into the Imaginary (The Martin Walsh Memorial Lecture 1988)  I, 1, 1
“Thou, The Player of the Game, Art God”: Nabokovian Game-playing in Cronenberg’s eXistenZ  XII, 1, 57
Tiessen, Paul  IX, 1, 80
Time and the Film Aesthetics of Andrei Tarkovsky  II, 1, 21
Totaro, Donato  II, 1, 21
--  IV, 2, 52
--  X, 1, 106
Toward a Non-Euclidian Cinema: Kieslowski and Literature  VI, 2, 34
Tuvey, Malcolm  VII, 2, 70
Two “Marseillaise” Scenes: From Casablanca to West Beirut  XVI, 2, 112
The Two Religions of Avant-Garde Film, or Maybe Three (From Notes Made in Boulder, Colorado, June 1992) (Ciné-Document)  III, 2, 89                                                               

 

Unforgiven and the Uncertainties of the Heroic  III, 2, 41
Urquhart, Peter  XII, 2, 64
--  XV, 1, 2
--  XVI, 1, 105

 

The “Valuable Deformity”: Calipers and the Failed Trope of Postcolonial Debt in Deepa Mehta’s Earth,  XVII, 1, 44
Vanishing Point: Proliferations, Purifications and the Convergence of Canadian and Mexican National Cinemas  X, 2, 59
VanderBurgh, Jennifer  XII, 2, 81
Varga, Darrell  VIII, 2, 56
--  X, 2, 80
--  XII, 2, 99
--  XIV, 2, 106
Véronneau, Pierre  IV, 1, 67
--  IX, 1, 124                          
--  XVI, 1, 98
Vertov after Manovich  XVI, 1, 39
The View From Here...Or There (review-essay)  XIII, 2, 93

 

Wada-Marciano  XVI, 2, 23
Wagman, Ira  XV, 1, 2
Wall, Karen  II, 2-3, 129
The War Machine: American Culture, Canadian Cultural Sovereignty & Film Policy  I, 2, 35
Walton, Priscilla L.  VI, 1, 85
Walz, Gene  V, 2, 139
– IX, 2, 89
Wasson, Haidee  IX, 1, 5
Waugh, Thomas  II, 1, 1
--  II, 2-3, 145
--  VIII, 1, 8
--  X, 2, 102
--  XVI, 1, 2
Waugh Thomas and Brenda Longfellow  X, 2, 2
Webb, Jenn and Tony Schirato  XIII, 1, 55
Wees, William C.  I, 1, 29
--  VII, 2, 74
--  IX, 1, 101                          
--  X, 1, 70
--  XIII, 1, 95
--  XIV. 2, x
--  XVI, 2, 2
What Was Cinema? (The Martin Walsh Memorial Lecture 1996)  V, 1, 1 
“Where Are You Going To, My Pretty Maid?”: Norma Shearer and the Cultural Uses of a “Canadian Star”  VII, 2, 3
Where Is Here? Local Visions in Three Canadian Films XIV, 2, 38
White, Jerry  IX, 2, 96
--  XI, 1, 78
--  XI, 2, 106
--  XIV, 1, 69
White, Kenneth  XVI, 2, 133
The Wild Child  XVII, 1, 69
Williams, Bruce  VIII, 2, 44
--  XIV, 2, 54
Willoquet-Maricondi, Paula  VI, 2, 93
Women in a Word: Anne Claire Poirier’s Subversive Subjectivity  XIII, 2, 57
Women's Pictures: Identity and Representation in Recent Mexican Cinema  VI, 1, 61

 

You Should Know Something--Anything--About this Movie. You Paid for It  XII, 2, 64

Zielinski, Ger  XV, 2, 125
Zoos humains et mises en scène de l’altérité ethnique: My Big Fat Greek Wedding  XIII, 1, 42
Zryd, Michael  III, 1, 83
--  XI, 2, 109

Zucker, Carole  VII, 2, 78

 

The Canadian Journal of Film Studies/Revue canadienne d'études cinématographiques is indexed by the Federation Internationale des Archives du Film (FIAF) and its published listing, the International Index to Film/Television Periodicals;Film/Literature Index; and Media Review Digest. ISSN 0847-5911.

 

Le Canadian Journal of Film Studies/Revue canadienne d'études cinématographiques est indexé par la Fédération internationale des archives du film (FIAF) dans leur publication The International Index to Film/Television Periodicals; dans le Film/Literature Index; et dans le Media Review Digest. ISSN 0847-5911.