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Issue: 10.1 : Spring / Printemps : 2001

Patterns of Cultural Authority: The National Film Society of Canada and the Institutionalization of Film Education, 1938-1941 by Charles Acland

The Polyphonic Prairies: The Creation and Re-Creation of Drylanders by Kristian Moen

"The Inexplicable Presence of the Thing[s] Not Named": Dirty Laundry, the Railway and the Construction of Nation by Margot Francis

Carrying On: Leslie Thornton, Su Friedrich, Abigail Child and American Avant-Garde Film of the Eighties by William C. Wees

Discontinuous Films by Keewatin A. Dewdney

Laura U. Marks. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham and London: Duke University Press, 2000, 298 pp.
Reviewed by Donato Totaro

American Movie Audiences: From the Turn of the Century To the Early Sound Era. Melvyn Stokes and Richard Maltby, eds. London: British Film Institute, 1999, 186 pp.
Reviewed by Charles Tepperman

Vincent Amiel. Le Corps au cinéma: Keaton, Bresson, Cassavettes. Paris: Presses Universitaires de France, 1998, 121 pp.
Reviewed by Diane Cantin

Sarah Berry. Screen Style: Fashion and Femininity in 1930s Hollywood. Commerce and Mass Culture, vol. 2, Minneapolis: University of Minnesota Press, 2000, 235pp.
Reviewed by Kay Armatage

The Danish Directors: Dialogues on a Contemporary National Cinema Mette Hjort and Ib Bondebjerg, eds. Bristol, UK: Intellect Press, 2001, 224 pp.
Reviewed by E.J. Bell

The Cinema of Jean Cocteau: Essays on his Films and their Coctelian Sources. C.D.E. Tolton, ed. New York, Ottawa and Toronto: Legas, 1999, 200pp.
Reviewed by Charles O'Brien

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