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Issue: 14.2 : Spring / Printemps : 2005

Maddin and Melodrama by William Beard

“The Best Picture Ever Made in Canada”? Thunder Bay Films Limited and The Devil Bear by Michael S. Beaulieu

Where Is Here? Local Visions in Three Canadian Films by Jennifer L. Gauthier

The Bridges of Los Angeles Country: Marketing Language in the Chicano Cinema of Gregory Nava by Bruce Williams

Andrei Tarkovsky’s Film Adaptation of the Motifs Embedded in Leonardo da Vinci’s The Adoration of the Magi by Gabriel F. Giralt

“Stop Whining and Get on with the Basic Business of Being British”: Notes on Robin Wood, Canada and the Concept of National Film Culture by Olof Hedling

Review Essay: Imaginings of and Beyond the Public Sphere
Scott MacKenzie. Screening Québec: Québécois Moving Images, National Identity, and the Public Sphere. Manchester: Manchester University Press, 2004, 240 pp.
Reviewed by Erin Manning

Review Essay: Le Cinéma hollywoodien dans une perspective philosophique
Stanley Cavell. Cities of Words: Pedagogical Letters on a Register of the Moral Life. Cambridge, MA, and London: The Belknap Press of Harvard University Press, 2004, 458 pp.
Reviewed by Eric Prince

Graham McInnes. One Man’s Documentary: A Memoir of the Early Years of the National Film Board. Gene Walz, ed. Winnipeg: University of Manitoba Press, 2004, 252 pp.
Reviewed by Darell Varga

Movie Mutations: The Changing Face of World Cinephilia. Jonathan Rosenbaum and Adrian Martin, eds. London: British Film Institute, 2003 (distributed in North America by the University of California Press), 224 pp.
Reviewed by Richard Porton

Kevin Rockett. Irish Film Censorship: A Cultural Journey from Silent Cinema to Internet Pornography. Dublin: Four Courts Press, 2004, 496 pp.
Reviewed by Brad Kent

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