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Issue: 2.1 : Spring / Printemps : 1992

Strength and Stealth: Watching (and Wanting) Turn-of-the-Century Strongmen by Thomas Waugh

Time and the Film Aesthetics of Andrei Tarkovsky by Donato Totaro

Spectacles of Daily Life: Up To a Point (Cuba 1983, Tomás Gutierrez Alea) by Zuzana M. Pick

Grounding the Countertext: David Cronenberg and the Ethnospecificity of Horror by Gaile McGregor

Handmade, or David Rimmer's Divine Mannequin by Blaine Allan

Review Essay: British Cinema
Marcia Landy. British Genres: Cinema and Society, 1930–1960. Princeton: Princeton University Press, 1991, 553 pp. Antonia Lant. Blackout : Reinventing Women for Wartime British Cinema. Princeton: Princeton University Press, 1991, 262 pp. Robert Murphy. Sixties British Cinema. London: BFI, 1992, 354 pp.
Reviewed by Brian McIlroy

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