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Issue: 2.2-3 : Fall / Automne : 1993

Canada : An Unfinished Text? by Peter Harcourt

Canadian Cinema from the Margins: "The Nation" and Masculinity in Goin' Down the Road by Christine Ramsay

Gender, Narrative and National Cinema in Les Filles de Caleb by Bill Marshall

Canada 's Sweethearts, or Our American Cousins by Blaine Allan

sex, lies and landscape: meditations on vertical tableaux in The Far Shore and J.A. Martin, photographe by Joan Nicks

Decolonizing the Imagination: Cultural Expressions as Vehicle of Self-Discovery by Mike Gasher

Revising the Traditions: Hanif Kureishi and Contemporary British Cinema by Paul Salmon

Critical Categories and the (Il)logic of Identity by Angela Stukator

Cultivated Colonies: Notes on Queer Nationhood and the Erotic Image by Thomas Waugh

"Déjà vu/jamais vu" -- The Adjuster and the Hunt for the Image by Karen Wall

Martha Braun. Picturing Time: The Work of Etienne-Jules Marey (1830-1904). The University of Chicago Press, 1992, 450 pp. Pare Lorentz. FDR's Moviemaker: Memoirs and Scripts. University of Nevada Press, 1992, 243 pp.
Reviewed by Gerald Pratley

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