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Issue: 4.2 : Fall / Automne : 1995

Le Lieu du son, l'espace de la source. Autour d'Une Femme douce by Serge Cardinal
(France, Robert Bresson, 1969).

Review Essay: Recent Sternberg Studies, and the Contributions of Peter Baxter by Robert McMillan

Review Essay: Eisenstein, My Contemporary
David Bordwell. The Cinema of Eisenstein. Cambridge, MA: Harvard University Press, 1993. S.M. Eisenstein. Selected Works, Volume 1: Writings 1922–34. Richard Taylor, ed. London: British Film Institute, 1988. S.M. Eisenstein. Selected Works Volume 2: Towards a Theory of Montage. Michael Gleny and Richard Taylor, eds. London: British Film Institute, in 1991/1994 cloth and paper. Eisenstein Rediscovered. lan Christie and Richard Taylor, eds. London, Routledge,1993.
Reviewed by R. Bruce Elder

Vida T. Johnson and Graham Petrie. The Films of Andrei Tarkovsky: A Visual Fugue. Bloomington & Indianapolis: Indiana University Press, 1994, 331 pp.
Reviewed by Donato Totaro

Andrei Tarkovsky. Time Within Time: The Diaries 1970–1986. Calcutta: Seagull Books, 1991, 392 pp.
Reviewed by Graham Petrie

Denise Youngblood. Movies for the Masses: Popular Cinema and Soviet Society in the 1920s. Cambridge University Press, 1992. pps.
(paper and cloth)

Reviewed by Paul Kapsos

The Cinema of Alexander Dovzhenko. Bohdan Y. Nebesio, ed. In Journal of Ukranian Studies Volume 19, Number 1. Canadian Institute of Ukranian Studies, University of Alberta, 1994, 119 pp. Alexander Dovzhenko: A Guide to Published Sources Bohdan Y. Nebesio, ed. Canadian Institute of Ukranian Studies Press, University of Alberta, 1995, 106 pp.
Reviewed by Bart Testa

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