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Issue: 5.1 : Spring / Printemps : 1996

What Was Cinema? by Seth Feldman
The Martin Walsh Memorial Lecture (1996)

Alain Cavalier : visage de style by Bernard Perron

Les références cinéphiliques chez Woody Allen: construire une oeuvre sur la base de l'intertextualité by Denis Fortin

Fragmentation and Ideology in Kira Muratova's The Asthenic Syndrome and Arto Paragamian's Because Why by Serafima Roll

Nwachukwu Frank Ukadike. Black African Cinema. University of California Press, 1994, 371 pp.
Reviewed by Sheila Petty

Mario Falsetto. Stanley Kubrick: A Narrative and Stylistic Analysis. Westport, Conn.: Greenwood, Praeger, 1994.
Reviewed by Leland Poague

Scott Bukatman. Terminal Identity: The Virtual Subject in Postmodern Science Fiction. Duke University Press, 1993. 404 pp.
Reviewed by Catherine Russell

Catherine Russell. Narrative Mortality: Death, Closure, and New Wave Cinemas. Minneapolis: University of Minnesota Press, 1995, 271 pp.
Reviewed by Jim Leach

Carole Zucker. Figures of Light: Actors and Directors Illuminate the Art of Film Acting. NewYork: Plenum Press, 1995, 387 pp.
Reviewed by Nadine Sivak

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