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Issue: 6.1 : Spring / Printemps : 1997

La réception de François Truffaut aux Etats-Unis: Les conditions de sa popularité by Laurence Alfonsi

American and European Voices in the Films of European Filmmakers Wim Wenders, Percy Adlon and Aki Kaurismäki by Janina Falkowska

Hose Stalking: Heavenly Creatures as Feminist Horror by Jennifer Henderson

Women's Pictures: Identity and Representation in Recent Mexican Cinema. by Joanne Hershfield

"Everything Represents, Nothing Is": Some Relations Between Ingmar Bergman's Films and Theatre Productions by Maaret Koskinen

A Slippage of Masks: Dis-Guising Catwoman in Batman Returns by Priscilla L. Walton

Michel Chion, David Lynch. London: British Film Institute, 1995. 210 pp.; Richard K. Ferncase, Outsider Features: American Independent Films of the 1980's. Wesport, CT: Greenwood Press, 1996. 158 pp. Jim Hiller, The New Hollywood. London: Studio Vista, 1993. 192 pp.; and John Pierson, Spike, Mike, Slackers and Dykes: A Guided Tour Across a Decade of American Independent Cinema. New York, NY: Hyperion, 1995. 371 pp.
Reviewed by Chris Cooling

Barry Keith Grant, Voyages of Discovery: The Cinema of Frederick Wiseman. Urbana and Chicago, University of Illinois Press, 1992. 266 pp.
Reviewed by Janice Kaye

Lesley Stern, The Scorsese Connection. Indiana Univeristy Press. Bloomington and Indianapolis, 1995, 257 pp.
Reviewed by Jeannette Sloniowski

James Peterson, Dreams of Chaos, Visions o f order: Understanding the American Avant-Garde Cinema. Contemporary Film and Television Series. Wayne State University Press, 1994. 212 pp.
Reviewed by Greg Taylor

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