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  • 10.2 : 2001 : Introduction by Brenda Longfellow, Thomas Waugh
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  • 10.1 : 2001 : Carrying On: Leslie Thornton, Su Friedrich, Abigail Child and American Avant-Garde Film of the Eighties by William C. Wees
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  • 10.1 : 2001 : "The Inexplicable Presence of the Thing[s] Not Named": Dirty Laundry, the Railway and the Construction of Nation by Margot Francis
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  • 10.1 : 2001 : The Polyphonic Prairies: The Creation and Re-Creation of Drylanders by Kristian Moen
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  • 10.1 : 2001 : Patterns of Cultural Authority: The National Film Society of Canada and the Institutionalization of Film Education, 1938-1941 by Charles Acland
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  • 9.2 : 2000 : Le Cycle des Lumière, d’une image-temps à une image-souvenir by Lucie Roy
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  • 9.2 : 2000 : Re-Writing "Reality": Reading The Matrix by R.J.A. Kilbourn
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  • 9.2 : 2000 : Rough Beasts Slouch Toward Bethlehem To Be Born: Eraserhead and the Grotesque Infant (Whose Hour Has Come Round At Last) by Aaron Taylor
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  • 9.2 : 2000 : Lists and Chain Letters: Ethnic Cleansing, Holocaust Allegories and the Limits of Representation by Scott MacKenzie
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  • 9.2 : 2000 : A Romance With Mexico: The Epic Spectacle of the Revolution by Zuzana M. Pick
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  • 9.1 : 2000 : Film, Culture Criticism and Institutional Form, 1936-1956: The Work of Vernon van Sickle by Paul Tiessen
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  • 9.1 : 2000 : Documenting Government: Re-examining the 1950s National Film Board Films About Citizenship by Zoë Druick
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  • 9.1 : 2000 : A National "As Distinct from Departmental" Film Board, and the Case of Heritage by Blaine Allan
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  • 9.1 : 2000 : "Some Kind of Racket": The Museum of Modern Art's Film Library, Hollywood and the Problem of Film Art, 1935 by Haidee Wasson
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  • 9.1 : 2000 : Introduction by William C. Wees
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  • 8.2 : 1999 : Desire in Bondage: Guy Maddin's Careful by Darell Varga
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  • 8.2 : 1999 : Deformity at the Threshold of the Visible in Bemberg's I Don't Want to Talk About It by Bruce Williams
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  • 8.2 : 1999 : Despair as Empowerment: Melodrama and Counter-Cinema in Anne Claire Poirier's Mourir à tue-tête by André Loiselle
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  • 8.2 : 1999 : Film Feminism and Nostalgia for the Seventies by Patrice Petro
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  • 8.1 : 1999 : Lonely Boy and the Vérité of Sex by Jane M. Gaines
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  • 8.1 : 1999 : Pit(iful) Male Bodies: Colonial Masculinity, Class and Folk Innocence in Margaret's Museum by Lee Parpart
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  • 8.1 : 1999 : Hyperbolic Masculinity and the Ironic Gaze in Project Grizzly by Brenda Longfellow
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  • 8.1 : 1999 : Dead Queers: One Legacy of the Trope of "Mind Over Matter" in the Films of David Cronenberg by Christine Ramsay
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  • 8.1 : 1999 : Cinemas, Nations, Masculinities by Thomas Waugh
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  • 8.1 : 1999 : Introduction by Angela Stukator
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  • 7.2 : 1998 : The Haunted Home: Colour Spectrums in Robert Lepage's Le Confessional by Erin Manning
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  • 7.2 : 1998 : Las Hurdes and the Political Efficacy of the Grotesque by Jeannette Sloniowski
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  • 7.2 : 1998 : "Where Are You Going To, My Pretty Maid?": Norma Shearer and the Cultural Uses of a "Canadian" Star by Melanie Nash
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  • 7.1 : 1998 : Nostalgia for the Masculine: Onward to the Past in the Sports Films of the Eighties by Marjorie D. Kibby
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  • 7.1 : 1998 : Dystopian Ethnography: Peter Kubelka's Unsere Afrikareise Revisited by Catherine Russell
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    The CJFS/RCEC Article Archive


    This archive is home to every article and book review published in CJFS/RCEC since our launch in 1990. Issues are listed chronologically above, or choose your preferred method of browsing by clicking on the links to the left. You are currently browsing by article.

    Full PDF copies of texts are made available online two years after publication in our printed journal. Information on ordering back issues of our four most recent issues can be found by clicking here.

    To the left is a list of all CJFS/RCEC articles in descending order of publication date. Click on the title of an article to visit its permanent web address (its "permalink"). Click "abstract" to see an abstract, and if available, a link to the downloadable PDF. PDFs are posted two years after publication.