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CJFS/RCEC Articles


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  • 6.2 : 1997 : An Aborted Revolution, A Stillborn Generation: Generational Politics and Gender Relations in Pé ter Gothár's Time Stands Still by Marek Haltof, Donald Smith
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  • 6.2 : 1997 : Toward a Non-Euclidean Cinema: Kieslowski and Literature by R.J.A. Kilbourn
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  • 6.2 : 1997 : Protecting the Exotic: Atom Egoyan and Fantasy by Paul Coates
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  • 6.2 : 1997 : The Romances of the Blonde Venus: Movie Censors Versus Movie Fans by Janet Staiger
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  • 6.1 : 1997 : A Slippage of Masks: Dis-Guising Catwoman in Batman Returns by Priscilla L. Walton
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  • 6.1 : 1997 : "Everything Represents, Nothing Is": Some Relations Between Ingmar Bergman's Films and Theatre Productions by Maaret Koskinen
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  • 6.1 : 1997 : Women's Pictures: Identity and Representation in Recent Mexican Cinema. by Joanne Hershfield
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  • 6.1 : 1997 : Hose Stalking: Heavenly Creatures as Feminist Horror by Jennifer Henderson
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  • 6.1 : 1997 : American and European Voices in the Films of European Filmmakers Wim Wenders, Percy Adlon and Aki Kaurismäki by Janina Falkowska
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  • 6.1 : 1997 : La réception de François Truffaut aux Etats-Unis: Les conditions de sa popularité by Laurence Alfonsi
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  • 5.2 : 1996 : The Introduction of the Lumière Cinematograph in Canada by André Gaudreault, Germain Lacasse
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  • 5.2 : 1996 : Alterity and Nation: Screening Race, Sex, Gender and Ethnicity in Back to God's Country by Christopher Gittings
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  • 5.2 : 1996 : Exile on Hastings & Main Street: The Vancouver Films of Larry Kent by Dave Douglas
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  • 5.2 : 1996 : Société nouvelle: The Challenge for Change in the Alternative Public Sphere by Scott MacKenzie
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  • 5.2 : 1996 : Hags, Nags, Witches and Crones: Reframing Age in The Company of Strangers by Angela Stukator
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  • 5.2 : 1996 : Querying or 'Queering' the Nation: The Lesbian Postmodern and Canadian Women's Cinema by Jean Bruce
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  • 5.2 : 1996 : Cinema, Theatre and Red Gushing Blood in Jean Beaudin's Being at Home With Claude by André Loiselle
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  • 5.2 : 1996 : Globalization and National Identity in Canadian Film by Brenda Longfellow
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  • 5.1 : 1996 : Fragmentation and Ideology in Kira Muratova's The Asthenic Syndrome and Arto Paragamian's Because Why by Serafima Roll
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  • 5.1 : 1996 : Les références cinéphiliques chez Woody Allen: construire une oeuvre sur la base de l'intertextualité by Denis Fortin
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  • 5.1 : 1996 : Alain Cavalier : visage de style by Bernard Perron
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  • 5.1 : 1996 : What Was Cinema? by Seth Feldman
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  • 4.2 : 1995 : Review Essay: Recent Sternberg Studies, and the Contributions of Peter Baxter by Robert McMillan
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  • 4.2 : 1995 : Le Lieu du son, l'espace de la source. Autour d'Une Femme douce by Serge Cardinal
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  • 4.1 : 1995 : Aspects temporels d'une muséologie du cinéma by Pierre Véronneau
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  • 4.1 : 1995 : La Phénoménologie du cyborg: cinéma, cyberspace et entropie by Ollivier Dyens
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  • 4.1 : 1995 : Luis Bunuel's Postmodern Explicador: Film, Story and Narrative Space by Gayle Irwin
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  • 4.1 : 1995 : Social Surfaces and Psychic Depths in David Wellington's I Love a Man in Uniform by Christine Ramsay
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  • 3.2 : 1994 : The Two Religions of Avant-Garde Film, or Maybe Three; and Movies by Clyde Gilmour: The Underground is Here by Bart Testa
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  • 3.2 : 1994 : Perfectly Normal, Eh?: Gender Transformation and National Identity in Canada by Janice Kaye
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    The CJFS/RCEC Article Archive


    This archive is home to every article and book review published in CJFS/RCEC since our launch in 1990. Issues are listed chronologically above, or choose your preferred method of browsing by clicking on the links to the left. You are currently browsing by article.

    Full PDF copies of texts are made available online two years after publication in our printed journal. Information on ordering back issues of our four most recent issues can be found by clicking here.

    To the left is a list of all CJFS/RCEC articles in descending order of publication date. Click on the title of an article to visit its permanent web address (its "permalink"). Click "abstract" to see an abstract, and if available, a link to the downloadable PDF. PDFs are posted two years after publication.