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CJFS/RCEC Articles


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  • 3.2 : 1994 : Unforgiven and the Uncertainties of the Heroic by William Beard
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  • 3.2 : 1994 : Mourning the Woman's Film: The Dislocated Spectator of The Company of Strangers by Catherine Russell
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  • 3.2 : 1994 : Affective Identities: French National Cinema and the 1930s by Christopher Faulkner
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  • 3.1 : 1994 : Novel, Play, Film: The Three Endings of Gordon Pinsent's John and the Missus by André Loiselle
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  • 3.1 : 1994 : Hitchcock's Psycho in Stephen Frear's The Grifters by Rod S. Heimpel
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  • 3.1 : 1994 : In Our Own Eyes: The Canonizing of Canadian Film by Peter Morris
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  • 3.1 : 1994 : National Dreams, International Encounters: The Formation of Canadian Film Culture in the 1930s by Charles Acland
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  • 2.2-3 : 1993 : "Déjà vu/jamais vu" -- The Adjuster and the Hunt for the Image by Karen Wall
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  • 2.2-3 : 1993 : Cultivated Colonies: Notes on Queer Nationhood and the Erotic Image by Thomas Waugh
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  • 2.2-3 : 1993 : Critical Categories and the (Il)logic of Identity by Angela Stukator
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  • 2.2-3 : 1993 : Revising the Traditions: Hanif Kureishi and Contemporary British Cinema by Paul Salmon
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  • 2.2-3 : 1993 : Decolonizing the Imagination: Cultural Expressions as Vehicle of Self-Discovery by Mike Gasher
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  • 2.2-3 : 1993 : sex, lies and landscape: meditations on vertical tableaux in The Far Shore and J.A. Martin, photographe by Joan Nicks
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  • 2.2-3 : 1993 : Canada 's Sweethearts, or Our American Cousins by Blaine Allan
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  • 2.2-3 : 1993 : Gender, Narrative and National Cinema in Les Filles de Caleb by Bill Marshall
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  • 2.2-3 : 1993 : Canadian Cinema from the Margins: "The Nation" and Masculinity in Goin' Down the Road by Christine Ramsay
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  • 2.2-3 : 1993 : Canada : An Unfinished Text? by Peter Harcourt
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  • 2.1 : 1992 : Handmade, or David Rimmer's Divine Mannequin by Blaine Allan
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  • 2.1 : 1992 : Grounding the Countertext: David Cronenberg and the Ethnospecificity of Horror by Gaile McGregor
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  • 2.1 : 1992 : Spectacles of Daily Life: Up To a Point (Cuba 1983, Tomás Gutierrez Alea) by Zuzana M. Pick
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  • 2.1 : 1992 : Time and the Film Aesthetics of Andrei Tarkovsky by Donato Totaro
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  • 2.1 : 1992 : Strength and Stealth: Watching (and Wanting) Turn-of-the-Century Strongmen by Thomas Waugh
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  • 1.2 : 1991 : Ethnology and the N.F.B.: The Laura Boulton Mysteries by Robert McMillan
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  • 1.2 : 1991 : Review Essay: Out of Theory by Bart Testa
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  • 1.2 : 1991 : The War Machine: American Culture, Canadian Cultural Sovereignty & Film Policy by Michael Dorland
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  • 1.2 : 1991 : Antonioni's Tragic Vision by R. Bruce Elder
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  • 1.1 : 1990 : The Failures Of Nationalism And Documentary: Grierson And Gouzenko by Scott Forsyth
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  • 1.1 : 1990 : Filmographic Analysis and Early Cinema by André Gaudreault
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  • 1.1 : 1990 : Kant's Station; The Lumières' Train: Seeing Things By Means Of Film by Evan William Cameron
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  • 1.1 : 1990 : From the Rearview Mirror to Twenty Minutes Into the Future: The Video Image in Videodrome and Max Headroom by William C. Wees
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    The CJFS/RCEC Article Archive


    This archive is home to every article and book review published in CJFS/RCEC since our launch in 1990. Issues are listed chronologically above, or choose your preferred method of browsing by clicking on the links to the left. You are currently browsing by article.

    Full PDF copies of texts are made available online two years after publication in our printed journal. Information on ordering back issues of our four most recent issues can be found by clicking here.

    To the left is a list of all CJFS/RCEC articles in descending order of publication date. Click on the title of an article to visit its permanent web address (its "permalink"). Click "abstract" to see an abstract, and if available, a link to the downloadable PDF. PDFs are posted two years after publication.