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CJFS/RCEC Articles


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  • 23.1 : 2014 : Why Whistler Will Never be Sundance, and What This Tells Us About the Field of Cultural Production by Diane Burgess
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  • 23.1 : 2014 : Film Festivals, Bourdieu, and the Economization of Culture by Marijke de Valck
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  • 23.1 : 2014 : Video after Video Stores by Jeff Scheible
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  • 23.1 : 2014 : The Artisanry of Film: Pieces from Pere Portabella’s Workshop (1960-1973) by Anna K. Cox
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  • 23.1 : 2014 : From the Astonished Spectator to the Spectator in Movement: Exhibition Advertisements in 1920s Germany and Austria by Michael Cowan
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  • 22.2 : 2013 : Killing in the Name of ... Nothing: The Serial Search for Meaning and the Absence of Desire in The Minus Man and Dahmer by Brian Gibson
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  • 22.2 : 2013 : "You Can't Film Here": Queer Political Fantasy and Thin Critique of Israeli Occupation in The Bubble by Colleen Jankovic
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  • 22.2 : 2013 : Female Figurations in Kiarostami's The Wind Will Carry Us by Pouneh Saeedi
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  • 22.2 : 2013 : The Seventeenth Century on Film: Patriarchy, Magistracy, and Witchcraft in British Horror Films, 1968-1971 by Marcus K. Harmes
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  • 22.2 : 2013 : The Romantic Model of 2001: A Space Odyssey by Christopher Rowe
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  • 22.2 : 2013 : The Assimilated Asian American as American Action Hero: Anna May Wong, Keye Luke, and James Shigeta in the Classical Hollywood Detective Film by Philippa Gates
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  • 22.2 : 2013 : The Virtual Metropolis: Restoration as Simulacrum by Matthew Stoddard
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  • 22.1 : 2013 : The Practice of Memory and the Politics of Memorialization: Denis Villeneuve’s Polytechnique by Brenda Longfellow
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  • 22.1 : 2013 : It’s not always that Black and White: Universalism, Feminism, and the Monochromatic Worldview of Polytechnique by Scott MacKenzie
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  • 22.1 : 2013 : Versioning History: Polytechnique as Vector by Janine Marchessault
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  • 22.1 : 2013 : Camera-Witness: Women’s Documentary Responses to the Polytechnique Murders by Julianne Pidduck
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  • 22.1 : 2013 : Introduction by Brenda Longfellow, Julianne Pidduck
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  • 21.2 : 2012 : Nostalgia for the Liberal Hour: Talkin’ ‘Bout the Horizons of Norman Jewison’s Generation by Daniel McNeil
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  • 21.2 : 2012 : Hantise et architecture cryptique : Transmission du passé dans Le Confessionnal de Robert Lepage by Claudie Massicotte
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  • 21.2 : 2012 : Condensing The Media Mix: Multiple Possible Worlds In The Tatami Galaxy by Marc Steinberg
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  • 21.2 : 2012 : La campagne d’éducation civique de l’Office national du film pendant la Seconde Guerre mondiale by Gwenn Scheppler
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  • 21.2 : 2012 : Vacationland: Film, Tourism, And Selling Canada, 1934-1948 by Dominique Brégent-Heald
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  • 21.2 : 2012 : The Thing About Obomsawin’s Indianness: Indigenous Reality And The Documentary Burden Of Education At The National Film Board Of Canada by Bruno Cornellier
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  • 21.1 : 2012 : An Iconography of Exclusion: Film in France, 1995 by Peter Baxter
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  • 21.1 : 2012 : Castrating the Body of the Police: Portraits of an Impotent Institution in the Early Films of Pedro Almodóvar by Frédéric Conrod
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  • 21.1 : 2012 : The Other Small Screen: Moving Images at New York’s World Fair, 1939 by Haidee Wasson
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  • 21.1 : 2012 : Mapping the Mass Circulation of Early Cinema: Film Debuts Coast-To-Coast in Canada in 1896 and 1897 by Paul S. Moore
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  • 21.1 : 2012 : From the Ground Up: Transforming the Inside Out LGBT Film and Video Festival of Toronto by Joceline Andersen
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  • 21.1 : 2012 : T.O. Live With Film: The Toronto International Film Festival and Municipal Cultural Policy in Contemporary Toronto by Brendan Kredell
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  • 21.1 : 2012 : Bridging the Gap: Film Festival Governance, Public Partners and the “Vexing” Problem of Film Distribution by Diane Burgess
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  • Page 2 of 10 page(s)  <  1 2 3 4 >  Last »



    The CJFS/RCEC Article Archive


    This archive is home to every article and book review published in CJFS/RCEC since our launch in 1990. Issues are listed chronologically above, or choose your preferred method of browsing by clicking on the links to the left. You are currently browsing by article.

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    To the left is a list of all CJFS/RCEC articles in descending order of publication date. Click on the title of an article to visit its permanent web address (its "permalink"). Click "abstract" to see an abstract, and if available, a link to the downloadable PDF. PDFs are posted two years after publication.