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Jen Webb

• Issue: 13.1 : 2004 : Article : Disenchantment and The City of Lost Children
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William C. Wees

• Issue: 1.1 : 1990 : Article : From the Rearview Mirror to Twenty Minutes Into the Future: The Video Image in Videodrome and Max Headroom
• Issue: 7.2 : 1998 : Review : Mike Hoolbloom. Inside the Pleasure Dome: Fringe Film in Canada. Toronto: Gutter Press, 1997, 181 pp.
• Issue: 9.1 : 2000 : Cinédocument : "Let's Set the Record Straight": The International Experimental Film Congress, Toronto 1989
• Issue: 9.1 : 2000 : Article : Introduction
• Issue: 10.1 : 2001 : Article : Carrying On: Leslie Thornton, Su Friedrich, Abigail Child and American Avant-Garde Film of the Eighties
• Issue: 13.1 : 2004 : Review : The Films of Jack Chambers. Kathryn Elder, ed. Toronto: Cinematheque Ontario/Bloomington: Indiana University Press, 2002. Cinematheque Ontario Monographs No. 5., 231 pp.
• Issue: 14.1 : 2005 : Article : A Sense of Sight: A Special Issue Devoted to Stan Brakhage
• Issue: 16.2 : 2007 : Article : From Compilation to Collage: The Found-Footage Films of Arthur Lipsett
• Issue: 18.1 : 2009 : Review : Duncan Reekie. Subversion: the Definitive History of Underground Cinema. London and New York: Wallflower Press, 2007, 259 pp. David Curtis. A History of Artists' Film and Video in Britain. London: British Film Institute, 2007, 312 pp. Mike Hoolboom. Practical Dreamers: Conversations with Movie Artists. Toronto: Coach House Books, 2008, 320 pp.
• Issue: 20.2 : 2011 : Review : Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945-2000, Edited by Steve Anker, Kathy Geritz and Steve Seid
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Jerry White

• Issue: 9.2 : 2000 : Review : Gilberto Perez. Material Ghost: Films and the Medium. Baltimore: Johns Hopkins University Press, 1998, 465 pp. Bert Cardullo. Practical Film Criticism: An Enlightened Approach to Moviegoing, Volume 1. Lewiston, NY/Queenston, ON: The Edwin Mellen Press, 1999, 270 pp.
• Issue: 11.1 : 2002 : Article : Children, Narrative and Third Cinema in Iran and Syria
• Issue: 11.2 : 2002 : Review : Philip Mosley. Split Screen: Belgian Cinema and Cultural Identity. Albany: State University of New York Press, 2000, 288 pp.
• Issue: 14.1 : 2005 : Article : Brakhage’s Tarkovsky and Tarkovsky’s Brakhage: Collectivity, Subjectivity, and the Dream of Cinema
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Kenneth White

• Issue: 16.2 : 2007 : Review : Gary Kibbins. Grammar & Not-Grammar: Selected Scripts and Essays. Andrew J. Paterson, ed. Toronto: YYZ Books, 2006, 256 pp.
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Bruce Williams

• Issue: 8.2 : 1999 : Article : Deformity at the Threshold of the Visible in Bemberg's I Don't Want to Talk About It
• Issue: 14.2 : 2005 : Article : The Bridges of Los Angeles Country: Marketing Language in the Chicano Cinema of Gregory Nava
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Paula Willoquet-Maricondi

• Issue: 6.2 : 1997 : Review : Alan Woods. Being Naked Playing Dead: The Art of Peter Greenaway. Manchester University Press, 1996. 300 pp.
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Prakash Younger

• Issue: 19.1 : 2010 : Review : Tamil Cinema: The Cultural Politics of India’s Other Film Industry. S. Velayutham, ed. New York/London: Routledge, 2009, 204 pp.
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Ger Zielinski

• Issue: 15.2 : 2006 : Review : Kenneth Turan. Sundance to Sarajevo: Film Festivals and the World They Made. Berkeley and Los Angeles: University of Calilornia Press, 2002, 180 pp. William Marshall. Film Festival Confidential. Toronto: McArthur and Company, 2006, 115 pp. Queer Film and Video Festival Forum, Take One: Curators Speak Out, Moving Image Review. Chris Straaye and Tom Waugh, eds. GLQ: A Journal of Lesbian and Gay Studies 11:4 (2005): 579–603.
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Michael Zryd

• Issue: 3.1 : 1994 : Review : Bill Nichols. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana University Press, 1991. Theorizing Documentary. Michael Renov, ed. AFI Film Reader series, New York: Routledge, 1993.
• Issue: 11.2 : 2002 : Review : Documenting the Documentary: Close Readings of Documentary Film and Video. Barry Keith Grant and Jeannette Sloniowsky, eds. Detroit: Wayne State University Press, 1998, 488 pp. Bill Nichols. Introduction to Documentary. Bloomington: Indiana University Press, 2001, 223 pp.
• Issue: 19.2 : 2010 : Review : Hollis Frampton. On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton. Ed, and with an introduction by Bruce Jenkins. Writing Art Series. Cambridge, MA and London: MIT Press, 2009, 360 pp.
• Issue: 20.1 : 2011 : Cinédocument : History of Canadian Film Studies Roundtable
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Carole Zucker

• Issue: 7.2 : 1998 : Review : The British Film Institute Film Classics and Modern Film Classics Series. London: British Film Institute. Distributed in North America by Indiana University Press.
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