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Brian Crane

• Issue: 12.1 : 2003 : Review : Sarah Kozloff. Overhearing Film Dialogue. Berkeley: University of California Press, 2000, 323 pp.
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Liz Czach

• Issue: 18.2 : 2009 : Review : Screening Canadians: Cross-Cultural Perspectives on Canadian Film. Wolfram R. Keller and Gene Walz, eds. Marburg: Universitätbibliothek Marburg, 2008, 196 pp.
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Michael Dancsok

• Issue: 7.1 : 1998 : Cinédocument : An Introduction to Lipsett's Notes and Proposals
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Jon Davies

• Issue: 17.1 : 2008 : Review : The Sharpest Point: Animation at the End of Cinema Chris Gehman and Steve Reinke, eds. Toronto: YYZ Books and Images Festival/Ottawa: Ottawa International Animation Festival, 2005, 288 pp.
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Blair Davis

• Issue: 17.2 : 2008 : Article : Old Films, New Sounds: Screening Silent Cinema with Electronic Music
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Elena del Río

• Issue: 17.2 : 2008 : Article : Ararat and the Event of the Mother
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Margaret DeRosia

• Issue: 17.1 : 2008 : Review : Thomas Waugh. The Romance of Transgression in Canada: Queering Sexualities, Nations, Cinemas. Montréal and Kingston: McGill-Queens University Press, 2006, 606 pp.
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Jeanne Deslandes

• Issue: 8.2 : 1999 : Review : Michael Dorland. So Close to the State/s: The Emergence of Canadian Feature Film Policy. Toronto: University of Toronto Press, 1998, 199 pp.
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Keewatin A. Dewdney

• Issue: 10.1 : 2001 : Cinédocument : Discontinuous Films
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Peter Dickinson

• Issue: 11.2 : 2002 : Article : Critically Queenie: The Lessons of Fortune and Men's Eyes
• Issue: 13.1 : 2004 : Review : Aleksandar Dundjerovic. The Cinema of Robert Lepage: The Poetics of Memory. London: Wallflower Press, 2003, 181 pp.
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Adam Dickinson

• Issue: 12.1 : 2003 : Article : The Rhythm of Happening: Antagonism and Community in Brenda Longfellow's Our Marilyn and A Balkan Journey
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Ryan Alexander Diduck

• Issue: 20.2 : 2011 : Article : Reach Out and Touch Something (That Touches You Back): The iPhone, Mobility and Magic
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Michael Dorland

• Issue: 1.2 : 1991 : Article : The War Machine: American Culture, Canadian Cultural Sovereignty & Film Policy
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Dave Douglas

• Issue: 5.2 : 1996 : Article : Exile on Hastings & Main Street: The Vancouver Films of Larry Kent
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Zoë Druick

• Issue: 9.1 : 2000 : Article : Documenting Government: Re-examining the 1950s National Film Board Films About Citizenship
• Issue: 12.2 : 2004 : Article : "Non-Theatrical with Dreams of Theatrical": Paradoxes of a Canadian Semi-Documentary Film Noir
• Issue: 13.2 : 2004 : Review : Charles R. Acland. Screen Traffic: Movies, Multiplexes, and Global Culture. Durham, N.C.: Duke University Press, 2003, 337pp.
• Issue: 16.1 : 2007 : Article : The Rome Institute of Educational Cinematography, Reactionary Modernism, and the Foundation of Film Studies
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Sylvain Duguay

• Issue: 16.1 : 2007 : Review : Self Portraits: The Cinemas of Canada Since Telefilm. André Loiselle and Tom McSorley, eds. Ottawa: The Canadian Film Institute/Institut Canadien du film, 2006, 343 pp.
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Nataša Duroviová

• Issue: 15.1 : 2006 : Review : Subtitles: On the Foreignness of Film. Atom Egoyan and Ian Balfour, eds. Cambridge, MA and London: MIT Press and Alphabet City Media, 2004, 532 pp.
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Ollivier Dyens

• Issue: 4.1 : 1995 : Article : La Phénoménologie du cyborg: cinéma, cyberspace et entropie
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R. Bruce Elder

• Issue: 1.2 : 1991 : Article : Antonioni's Tragic Vision
• Issue: 4.2 : 1995 : Review : David Bordwell. The Cinema of Eisenstein. Cambridge, MA: Harvard University Press, 1993. S.M. Eisenstein. Selected Works, Volume 1: Writings 1922–34. Richard Taylor, ed. London: British Film Institute, 1988. S.M. Eisenstein. Selected Works Volume 2: Towards a Theory of Montage. Michael Gleny and Richard Taylor, eds. London: British Film Institute, in 1991/1994 cloth and paper. Eisenstein Rediscovered. lan Christie and Richard Taylor, eds. London, Routledge,1993.
• Issue: 8.2 : 1999 : Review : Lovers of Cinema: The First American Film Avant-Garde 1919-1945. Jan-Christopher Horak, ed. Madison: University of Wisconsin Press, 1995, 404 pp.
• Issue: 14.1 : 2005 : Article : Elder, Goethe’s Faust, Gertruce Stein’s Doctor Faustus Lights the Lights, and Stan Brakhage’s Faust Series
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Dimitris Eleftheriotis

• Issue: 16.2 : 2007 : Review : Julianne Pidduck. Contemporary Costume Film. London: British Film Institute, 2004, 224 pp.
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Jim Ellis

• Issue: 13.1 : 2004 : Article : Sound, Space and Selfhood: Stereoscopic Apprehension in The Paradise Institute
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Janina Falkowska

• Issue: 6.1 : 1997 : Article : American and European Voices in the Films of European Filmmakers Wim Wenders, Percy Adlon and Aki Kaurismäki
• Issue: 6.2 : 1997 : Review : Christopher Garbowski, Krzysztof Kieslowski's Decalogue Series: The Problem of the Protagonists and Their Self-Transcendence. Columbia University
  Press, 1996. 121pp.
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Christopher Faulkner

• Issue: 3.2 : 1994 : Article : Affective Identities: French National Cinema and the 1930s
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Seth Feldman

• Issue: 5.1 : 1996 : Article : What Was Cinema?
• Issue: 16.1 : 2007 : Article : Vertov after Manovich
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Matthew Flisfeder

• Issue: 20.2 : 2011 : Article : Between Theory and Post-Theory; or, Slavoj Žižek in Film Studies and Out
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Scott Forsyth

• Issue: 1.1 : 1990 : Article : The Failures Of Nationalism And Documentary: Grierson And Gouzenko
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Denis Fortin

• Issue: 5.1 : 1996 : Article : Les références cinéphiliques chez Woody Allen: construire une oeuvre sur la base de l'intertextualité
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David Foster

• Issue: 19.1 : 2010 : Review : Chris Marker et l’imprimerie du regard. André Habib and Viva Paci, Eds. Paris: L’Harmattan, 2008, 310pp.
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Robert Fothergill

• Issue: 3.2 : 1994 : Cinédocument : The Distribution Centre: A Founding Memoir
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Martin Fradley

• Issue: 19.2 : 2010 : Review : Gary Needham. Brokeback Mountain. Edinburgh: Edinburgh University Press, 2010, 140 pp.
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Margot Francis

• Issue: 10.1 : 2001 : Article : "The Inexplicable Presence of the Thing[s] Not Named": Dirty Laundry, the Railway and the Construction of Nation
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Marion Froger

• Issue: 19.1 : 2010 : Article : Réflexivité et socialité dans Les États nordiques
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Marc Furstenau

• Issue: 17.2 : 2008 : Review : Fluid Screens, Expanded Cinema. Edited by Janine Marchessault and Susan Lord. Toronto: University of Toronto Press, 2007, 361pp.
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Jane M. Gaines

• Issue: 8.1 : 1999 : Article : Lonely Boy and the Vérité of Sex
• Issue: 16.1 : 2007 : Article : Documentary Radicality
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William Gardner

• Issue: 18.1 : 2009 : Article : The Cyber Sublime and the Virtual Mirror: Information and Media in the Works of Oshii Mamoru and Kon Satoshi
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Mike Gasher

• Issue: 2.2-3 : 1993 : Article : Decolonizing the Imagination: Cultural Expressions as Vehicle of Self-Discovery
• Issue: 3.2 : 1994 : Review : Ted Magder. Canada's Hollywood : The Canadian State and Feature Films. University of Toronto Press, 1993, 327 pp.
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André Gaudreault

• Issue: 1.1 : 1990 : Article : Filmographic Analysis and Early Cinema
• Issue: 5.2 : 1996 : Article : The Introduction of the Lumière Cinematograph in Canada
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Jennifer L. Gauthier

• Issue: 14.2 : 2005 : Article : Where Is Here? Local Visions in Three Canadian Films
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Aaron Gerow

• Issue: 18.1 : 2009 : Article : The Homelessness of Style and the Problems of Studying Miike Takashi
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Gabriel F. Giralt

• Issue: 14.2 : 2005 : Article : Andrei Tarkovsky’s Film Adaptation of the Motifs Embedded in Leonardo da Vinci’s The Adoration of the Magi
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Christopher Gittings

• Issue: 5.2 : 1996 : Article : Alterity and Nation: Screening Race, Sex, Gender and Ethnicity in Back to God's Country
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Duncan Greenlaw

• Issue: 19.2 : 2010 : Article : "Until Justice is Done”: Authenticity and Memory in Paul Greengrass’s Bloody Sunday and United 93
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John Grierson

• Issue: 1.1 : 1990 : Cinédocument : Relations with the United States Film Industry
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Roger Hallas

• Issue: 12.1 : 2003 : Article : The Genealogical Pedagogy of John Greyson's Zero Patience
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Marek Haltof

• Issue: 6.2 : 1997 : Article : An Aborted Revolution, A Stillborn Generation: Generational Politics and Gender Relations in Pé ter Gothár's Time Stands Still
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Piers Handling

• Issue: 20.2 : 2011 : Cinédocument : In Memorium: Gerald Pratley
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Peter Harcourt

• Issue: 2.2-3 : 1993 : Article : Canada : An Unfinished Text?
• Issue: 13.2 : 2004 : Review : Jonathan Romney. Atom Egoyan. London: BFI Publishing, 2003, 226 pp.
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Kelsey Hass

• Issue: 20.2 : 2011 : Review : Abandoned Images: Film and Film’s End by Stephen Barber
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Olof Hedling

• Issue: 14.2 : 2005 : Cinédocument : “Stop Whining and Get on with the Basic Business of Being British”: Notes on Robin Wood, Canada and the Concept of National Film Culture
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Rod S. Heimpel

• Issue: 3.1 : 1994 : Article : Hitchcock's Psycho in Stephen Frear's The Grifters
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