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Issue: 20.1 : Spring / Printemps : 2011

Feeling Yourself Disintegrate: The Aviator as History by Michael Meneghetti

Robert De Niro’s Raging Bull: The History of a Performance and a Performance of History by R. Colin Tait

Multi-Media Stardom, Performance and Theme Songs in Hong Kong Cinema by Wing-Fai Leung

On Landscape in Narrative Cinema by Martin Lefebvre

Robert Morin: Papa à la chasse aux lagopèdes ou filmer l'absence by Marie-Jo Binet

“Vicious Womanhood”: Genre, the Femme Fatale and Postwar America by Mark Jancovich

Morris Not Enough: Remembering Peter Morris by Blaine Allan

History of Canadian Film Studies Roundtable by Haidee Wasson, Michael Zryd

The Cinema of Naruse Mikio: Women and Japanese Modernity by Catherine Russell
Reviewed by William Beard

Scenes of Love and Murder: Renoir, Film, and Philosophy by Colin Davis
Reviewed by Adam Rosadiuk

New Irish Storytellers: Narrative Strategies in Film by Díóg O’Connell
Reviewed by Heather Macdougall

The CJFS/RCEC Archive

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