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Issue: 23.1 : Spring / Printemps : 2014

From the Astonished Spectator to the Spectator in Movement: Exhibition Advertisements in 1920s Germany and Austria by Michael Cowan

The Artisanry of Film: Pieces from Pere Portabella’s Workshop (1960-1973) by Anna K. Cox

Video after Video Stores by Jeff Scheible

Film Festivals, Bourdieu, and the Economization of Culture by Marijke de Valck

Why Whistler Will Never be Sundance, and What This Tells Us About the Field of Cultural Production by Diane Burgess

Film Appreciation and Cultural Leadership: Rudolf Arnheim, Roger Manvell and Two Books Called Film by Richard Lowell MacDonald

A Luminous Moment in the History of Canadian Underground Exhibition: The Blinding Light!! Cinema in Vancouver by Brian McIlroy

Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles By Erkki Huhtamo. Cambridge, MA: MIT Press, 2013, 456 pp.
Reviewed by Zach Melzer

Dada, Surrealism, and the Cinematic Effect By R. Bruce Elder. Waterloo: Wilfrid Laurier University Press, 2013. 765 pp.
Reviewed by John W. Locke

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