BLOCKBUSTERS, SUPERHEROES, ALTENATIVES: FILM, ART AND BUSINESS
This issue is open to a wide range of submissions. We want to consider current and recent state of films and filmmaking in Canada and around the world. From Global Hollywood and the business structure of blockbusters, superhero franchises and changes in marketing and exhibition to critical analysis of genres, directors and particular films. From the rise of Netflix and streaming television to national variations and challenges, theoretical and aesthetic issues and political and social change and struggle.
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